
Man Leaning on a Wall (recto)
Jean-Baptiste Joseph Pater (d. 1736)
early 18th century · Red chalk heightened with white, on blue paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
170 ms. The Metropolitan Museum of Art, Collection API (Open Access)
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4,975 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Man Leaning on a Wall (recto)
Jean-Baptiste Joseph Pater (d. 1736)
early 18th century · Red chalk heightened with white, on blue paper
Cleared · Public Domain
live
The First Nakamura Nakazo as a Samurai Standing Near a Willow Tree
Katsukawa Shunshō 勝川春章 (d. 1792)
1768 or 1769 · Woodblock print (nishiki-e); ink and color on paper
Cleared · Public Domain
live
Woman under a Willow Tree
Katsukawa Shunshō 勝川春章 (d. 1792)
18th century · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Iwai Kiyotaro as a Woman Standing under a Plum Tree
Katsukawa Shunkō (d. 1812)
ca. 1788 · Woodblock print; ink and color on paper
Cleared · Public Domain
live
A Standing and a Lying Goat Near a Small Tree
Pieter Gerardus van Os (d. 1836)
early 19th century · Black chalk
Cleared · Public Domain
live
Seated Man; Standing Woman (from Sketchbook)
Francis William Edmonds (d. 1863)
ca. 1838 and after · Graphite on off-white wove paper
Cleared · Public Domain
live
Man and woman standing near a tree
Unrecorded maker
ca. 1830–40 · Pottery
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Man and a Woman Near a Small Bridge
Anthonie Waterloo (d. 1690)
17th century · Etching; second state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Standing Man
Anonymous, French (d. 2050)
second half of 18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Standing Woman
Anonymous, French (d. 2050)
second half of 18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Seated Man and Standing Woman before Painted Backdrop of a Curved Staircase]
Unknown
1860s · Tintype
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Mexican street scene, a seated woman and a standing man
Miguel Covarrubias (d. 1957)
ca. 1930–50 · Lithograph
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.