
Upper part of a male seated figure
Unrecorded maker
ca. 1800–1650 B.C. · Fine-grained grey stone (graywacke?)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
646 ms. The Metropolitan Museum of Art, Collection API (Open Access)
310 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 2,679 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Upper part of a male seated figure
Unrecorded maker
ca. 1800–1650 B.C. · Fine-grained grey stone (graywacke?)
Cleared · Public Domain
live
Terracotta fragment of a kylix (drinking cup)
Painter of London E 106
410–400 BCE · Terracotta
Cleared · Public Domain
live
Man squatting with head resting on his hands on his knees
Unrecorded maker
332–30 BCE · Leaded bronze
Cleared · Public Domain
live
Terracotta statuette of a mime with a shield
Unrecorded maker
2nd–1st century BCE · Terracotta
Cleared · Public Domain
live
Marble head of a Greek general
Unrecorded maker
1st–2nd century CE · Marble, Pentelic ?
Cleared · Public Domain
live
Portrait of a Man
Hugo van der Goes (d. 1482)
ca. 1475 · Oil on wood
Cleared · Public Domain
live
Standing man with his right hand resting on a basin, shown in three-quarters view with his head turned toward the left, from "Figures of Fashion" (Figures de Modes)
Antoine Watteau (d. 1721)
ca. 1710 · Etching
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of a Man, Bindo Altoviti or Giovanni della Casa
Wenceslaus Hollar (d. 1677)
1649 · Etching; first state of four (Pennington)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A nude male figure lying the ground with his head resting on his arms, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching and aquatint with brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A nude male figure lying the ground with his head resting on his arms, from "Prove di Vari Rami Inediti [...]"
Francesco Rosaspina (d. 1841)
19th century · Etching; proof
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maure man with his wife and mother before a tea set
Unrecorded maker
first half of the 20th century · Film, emulsion
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Maure man with his wife and mother before a tea set
Unrecorded maker
1975 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.