
Standing man
Unrecorded maker
ca. 2nd century CE · Calcareous sandstone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
417 ms. The Metropolitan Museum of Art, Collection API (Open Access)
288 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 22,445 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Standing man
Unrecorded maker
ca. 2nd century CE · Calcareous sandstone
Cleared · Public Domain
live
A Home in the Wilderness
Sanford Robinson Gifford (d. 1880)
1866 · Painting, oil on canvas
Cleared · CC0
livePlaque with a Figure Standing in a Doorway
Unrecorded maker
ca. 2nd century · Bone
Cleared · Public Domain
live
Man standing in a doorway
Victor Adam (d. 1866)
mid–19th century · Lithograph
Cleared · Public Domain
live
Woman Standing in a Doorway
Constantin Guys (d. 1892)
19th century · Pen and brown ink, brown and black wash, over traces of graphite
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A Standing Man
Anonymous, French (d. 2050)
second half of 18th century · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A group of people standing in a doorway
Manuel Manilla (d. 1895)
ca. 1880–1895 · Metal-plate engraving (later printing?)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[New York Album: Man Sleeping in a Doorway]
Berenice Abbott (d. 1991)
1929 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Vieux Port, Marseilles
Henri Cartier-Bresson (d. 2004)
1932, printed 1946 · Gelatin silver print
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
'Yucatan Night': a woman standing in a doorway
Alfredo Zalce (d. 2003)
ca. 1940–46 · Etching with addition of blue wash
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
A standing girl illuminated in a doorway
Rufino Tamayo (d. 1991)
ca. 1960 · Color lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Man Standing in Doorway Looking Into Darkened Room]
Ralph Eugene Meatyard (d. 1972)
1960s · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.