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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    405 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Mantle or Hanging"10 records

Institutions answered newest-first by record, interleaved

Mantle or Hanging by an unrecorded maker, The Cleveland Museum of Art

Mantle or Hanging

Unrecorded maker

1480–1635 (radiocarbon date, 95.4% probability) · Textile, cotton; plain weave, brocaded and complex alternating gauze with 3 or 5 shots of plain weave between gauze shots

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Peruvian Textiles: Mantle or Hanging, Loincloth, Turban, Padded Hat, Band with Tassels by an unrecorded maker, The Cleveland Museum of Art

Peruvian Textiles: Mantle or Hanging, Loincloth, Turban, Padded Hat, Band with Tassels

Unrecorded maker

1405–1640 · Textile, cotton; plain weave, brocaded and complex alternating gauze with 3 or 5 shots of plain weave between gauze shots

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cloth with Procession of Figures by an unrecorded maker, The Cleveland Museum of Art

Cloth with Procession of Figures

Unrecorded maker

170 BCE–70 CE (radiocarbon date, 95% probability) · Textile, cotton and pigment (field); camelid fiber (borders and fringe)

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragments by an unrecorded maker, The Cleveland Museum of Art

Textile Fragments

Unrecorded maker

c. 50–650 CE · Textile, cotton and camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragment by an unrecorded maker, The Cleveland Museum of Art

Textile Fragment

Unrecorded maker

c. 50–650 CE · Textile, cotton and camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragment by an unrecorded maker, The Cleveland Museum of Art

Textile Fragment

Unrecorded maker

c. 50–650 CE · Textile, cotton and camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragment by an unrecorded maker, The Cleveland Museum of Art

Textile Fragment

Unrecorded maker

c. 50–650 CE · Textile, cotton and camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragment by an unrecorded maker, The Cleveland Museum of Art

Textile Fragment

Unrecorded maker

c. 50–650 CE · Textile, cotton and camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragment by an unrecorded maker, The Cleveland Museum of Art

Textile Fragment

Unrecorded maker

c. 50–650 CE · Textile, cotton and camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Textile Fragment by an unrecorded maker, The Cleveland Museum of Art

Textile Fragment

Unrecorded maker

c. 50–650 CE · Textile, cotton and camelid fiber

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.