
Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul
Unrecorded maker
c. 1325 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
367 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 20 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul
Unrecorded maker
c. 1325 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto) and Text (verso)
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, silver, and gold on vellum
Cleared · CC0
live
Single Leaf from a Book of Hours: Pieta
Francesco dai Libri (d. 1506)
c. 1475–85 · Manuscript, tempera and gold on vellum
Cleared · CC0
live
Leaf from a Psalter with Full Border with Medallions (Annunciation, SS. Jerome, Clare, Sebastian and Bernardino) and Historiated Initial (E): Virgin and Child
Unrecorded maker
1475 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Bifolio from a Gradual: Initial (G) with Christ, the Virgin, and Apostles and Initial (O) (recto); Music and Text (verso)
Unrecorded maker
c. 1300 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
live![Initial G[audeamus omnes] from a Gradual: The Court of Heaven by Don Silvestro dei Gherarducci, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1930.105/1930.105_web.jpg)
Initial G[audeamus omnes] from a Gradual: The Court of Heaven
Don Silvestro dei Gherarducci (d. 1399)
1371–77 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Ape Hunting Wild Boars (recto)
Unrecorded maker
c. 1500–1510 · Manuscript, ink, tempera and liquid gold on vellum
Cleared · CC0
live
Bifolio from a Gradual: Initial (G) with Christ, the Virgin, and Apostles and Initial (O) (recto)
Unrecorded maker
c. 1300 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso)
Unrecorded maker
c. 1500–1510 · Manuscript, ink, tempera and liquid gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Sts. Geneviève, Catherine of Alexandria, and Margaret (recto)
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, silver, and gold on vellum
Cleared · CC0
live
The Trinity: Leaf from a Gradual with Initial B
Perugino (d. 1523)
c. 1496–1502 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Leaf from a Book of Hours: The Nativity (recto) and Text (verso)
Unrecorded maker
c. 1430 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.