Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    367 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 14 matching records exist across the two collections.

Results for "Manuscript Illumination with Crucifixion"12 records

Institutions answered newest-first by record, interleaved

Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso)

Unrecorded maker

c. 1435 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (recto) and Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Missal: The Crucifixion (recto) and Text (verso)

Unrecorded maker

c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Missal: The Crucifixion (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Missal: The Crucifixion (recto)

Unrecorded maker

c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Single Miniature Excised from a Missal: The Crucifixion by an unrecorded maker, The Cleveland Museum of Art

Single Miniature Excised from a Missal: The Crucifixion

Unrecorded maker

c. 1385–1390 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Psalter: The Crucifixion by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Psalter: The Crucifixion

Unrecorded maker

c. 1300–1330 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: The Crucifixion by Master of Guillebert de Mets, The Cleveland Museum of Art

Leaf from a Book of Hours: The Crucifixion

Master of Guillebert de Mets

1430s · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Single Leaf from a Missal: The Crucifixion by an unrecorded maker, The Cleveland Museum of Art

Single Leaf from a Missal: The Crucifixion

Unrecorded maker

c. 1480 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf Excised from the Tarleton Hours: Christ Carrying the Cross by an unrecorded maker, The Cleveland Museum of Art

Leaf Excised from the Tarleton Hours: Christ Carrying the Cross

Unrecorded maker

c. 1430 · Manuscript, ink, tempera, silver, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Christ Carrying the Cross (Sext, Hours of the Cross)

Unrecorded maker

c. 1410–1420 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Missal: Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Missal: Text (verso)

Unrecorded maker

c. 1330–40 · Manuscript, ink, tempera, and gold leaf on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: The Last Judgment by Master of Guillebert de Mets, The Cleveland Museum of Art

Leaf from a Book of Hours: The Last Judgment

Master of Guillebert de Mets

1430s · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit) by Master of Guillebert de Mets, The Cleveland Museum of Art

Leaf from a Book of Hours: Decorated Initial D[eus] with Foliated Border (Opening of Terce: Hours of the Holy Spirit)

Master of Guillebert de Mets

1430s · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.