
Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine
Second Master of the Wettinger Gradual
c. 1330 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
320 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 48 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine
Second Master of the Wettinger Gradual
c. 1330 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Bifolia with Scenes from the Life of Christ
Unrecorded maker
1230–1240 · Manuscript, tempera, and gold on vellum
Cleared · CC0
live
Bifolio with Scenes from the Life of Christ
Unrecorded maker
1230–1240 · Manuscript, tempera, and gold on vellum
Cleared · CC0
live
Single Leaf with Scenes from the Last Supper
Simon Bening (d. 1561)
c.1525–30 · Manuscript, tempera with liquid gold and silver on vellum, mounted on old wood board
Cleared · CC0
live
Bifolio from an Antiphonary: Historiated Initial O with the Nativity
Unrecorded maker
early 1400s · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Leaf Excised from the Tarleton Hours: Christ Carrying the Cross
Unrecorded maker
c. 1430 · Manuscript, ink, tempera, silver, and gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Text with Illustrated Border (verso)
Unrecorded maker
c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Calendar Page for May (recto)
Unrecorded maker
c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: The Visitation
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Cutting from a Gradual: Initial I with Departure of Tobias
"Master of Noah's Ark"
c. 1390 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso)
Unrecorded maker
c. 1435 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Bifolia with Scenes from the Life of Christ
Unrecorded maker
1230–1240 · Manuscript, tempera, and gold on vellum
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.