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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    320 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 48 matching records exist across the two collections.

Results for "Manuscript Illumination with Scenes from"12 records

Institutions answered newest-first by record, interleaved

Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine by Second Master of the Wettinger Gradual, The Cleveland Museum of Art

Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine

Second Master of the Wettinger Gradual

c. 1330 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolia with Scenes from the Life of Christ by an unrecorded maker, The Cleveland Museum of Art

Bifolia with Scenes from the Life of Christ

Unrecorded maker

1230–1240 · Manuscript, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolio with Scenes from the Life of Christ by an unrecorded maker, The Cleveland Museum of Art

Bifolio with Scenes from the Life of Christ

Unrecorded maker

1230–1240 · Manuscript, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Single Leaf with Scenes from the Last Supper by Simon Bening, The Cleveland Museum of Art

Single Leaf with Scenes from the Last Supper

Simon Bening (d. 1561)

c.1525–30 · Manuscript, tempera with liquid gold and silver on vellum, mounted on old wood board

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolio from an Antiphonary: Historiated Initial O with the Nativity by an unrecorded maker, The Cleveland Museum of Art

Bifolio from an Antiphonary: Historiated Initial O with the Nativity

Unrecorded maker

early 1400s · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf Excised from the Tarleton Hours: Christ Carrying the Cross by an unrecorded maker, The Cleveland Museum of Art

Leaf Excised from the Tarleton Hours: Christ Carrying the Cross

Unrecorded maker

c. 1430 · Manuscript, ink, tempera, silver, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Text with Illustrated Border (verso) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Text with Illustrated Border (verso)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: Calendar Page for May (recto) by an unrecorded maker, The Cleveland Museum of Art

Leaf from a Book of Hours: Calendar Page for May (recto)

Unrecorded maker

c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: The Visitation by Boucicaut Master, The Cleveland Museum of Art

Leaf from a Book of Hours: The Visitation

Boucicaut Master

c. 1415 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Cutting from a Gradual: Initial I with Departure of Tobias by "Master of Noah's Ark", The Cleveland Museum of Art

Cutting from a Gradual: Initial I with Departure of Tobias

"Master of Noah's Ark"

c. 1390 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso) by an unrecorded maker, The Cleveland Museum of Art

Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso)

Unrecorded maker

c. 1435 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Bifolia with Scenes from the Life of Christ by an unrecorded maker, The Cleveland Museum of Art

Bifolia with Scenes from the Life of Christ

Unrecorded maker

1230–1240 · Manuscript, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar

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