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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    301 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    371 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

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2 of 2 providers answered live. 739 matching records exist across the two collections.

Results for "Manuscript Illumination with the Beheadi"12 records

Institutions answered newest-first by record, interleaved

Manuscript Illumination with Initial H, from a Bible by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with Initial H, from a Bible

Unrecorded maker

ca. 1175–95 · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with Initial V, from a Bible by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with Initial V, from a Bible

Unrecorded maker

ca. 1175–95 · Tempera on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Annunciation in an Initial R, from a Gradual by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with the Annunciation in an Initial R, from a Gradual

Unrecorded maker

ca. 1300 · Tempera, ink and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Evangelist Luke by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with the Evangelist Luke

Unrecorded maker

late 13th–early 14th century · Tempera and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with Crucifixion in an Initial T, from a Missal by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with Crucifixion in an Initial T, from a Missal

Unrecorded maker

ca. 1400 · Tempera, ink and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary by Cosmè Tura (Cosimo di Domenico di Bonaventura), The Metropolitan Museum of Art

Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary

Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)

1450–60 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Figure of a Saint in an Initial O by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with the Figure of a Saint in an Initial O

Unrecorded maker

ca. 1480 · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Descent from the Cross, from a Book of Hours by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with the Descent from the Cross, from a Book of Hours

Unrecorded maker

late 15th century · Tempera, ink, and shell gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with the Trinity, from a Book of Hours by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with the Trinity, from a Book of Hours

Unrecorded maker

late 15th century · Tempera, ink, and shell gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with Scenes from the Life of Saint John the Baptist by Master of James IV of Scotland (probably Gerard Horenbout), The Metropolitan Museum of Art

Manuscript Illumination with Scenes from the Life of Saint John the Baptist

Master of James IV of Scotland (probably Gerard Horenbout) (d. 1535)

ca. 1515 · Tempera, ink, and shell gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with Adoration of the Magi by Master of James IV of Scotland (probably Gerard Horenbout), The Metropolitan Museum of Art

Manuscript Illumination with Adoration of the Magi

Master of James IV of Scotland (probably Gerard Horenbout) (d. 1535)

ca. 1515–25 · Tempera, ink, and shell gold on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Illumination with Initial S, from a Choir Book by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Illumination with Initial S, from a Choir Book

Unrecorded maker

16th century · Tempera, ink, and gold on parchment

Cleared · Public Domain

live
The MetSimilar

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