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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    393 ms. The Cleveland Museum of Art, Open Access API

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1 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Manuscript Illumination with the Trinity"10 records

Institutions answered newest-first by record, interleaved

Leaf from a Psalter: Historiated Initial D with The Trinity by Master of the Queen Mary Psalter, The Cleveland Museum of Art

Leaf from a Psalter: Historiated Initial D with The Trinity

Master of the Queen Mary Psalter

c.1310 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
The Trinity:  Leaf from a Gradual with Initial B by Perugino, The Cleveland Museum of Art

The Trinity: Leaf from a Gradual with Initial B

Perugino (d. 1523)

c. 1496–1502 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

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Cleveland Museum of ArtSimilar
Initial E from a Municipal Law Book: The Last Judgment by an unrecorded maker, The Cleveland Museum of Art

Initial E from a Municipal Law Book: The Last Judgment

Unrecorded maker

c. 1330 · Manuscript, ink, tempera, and gold on parchment

Cleared · CC0

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Cleveland Museum of ArtSimilar
Leaf Excised from a Book of Hours: Angel with a Banderole within a Flourished Border (Prayer to the Holy Trinity) by Workshop of the Convent of St. Agnes, The Cleveland Museum of Art

Leaf Excised from a Book of Hours: Angel with a Banderole within a Flourished Border (Prayer to the Holy Trinity)

Workshop of the Convent of St. Agnes

c. 1475 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Cutting from a Gradual: Initial I with Departure of Tobias by "Master of Noah's Ark", The Cleveland Museum of Art

Cutting from a Gradual: Initial I with Departure of Tobias

"Master of Noah's Ark"

c. 1390 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Leaf from a Book of Hours: St. Barbara (2 of 2 Excised Leaves) by Master of Jacques de Luxembourg, The Cleveland Museum of Art

Leaf from a Book of Hours: St. Barbara (2 of 2 Excised Leaves)

Master of Jacques de Luxembourg

c. 1465 · Manuscript, ink, tempera and gold on vellum

Cleared · CC0

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Cleveland Museum of ArtSimilar
Peter of Poitiers's "Compendium Historiae in Genealogia Christi" (pair) by an unrecorded maker, The Cleveland Museum of Art

Peter of Poitiers's "Compendium Historiae in Genealogia Christi" (pair)

Unrecorded maker

c. 1220 · Manuscript, ink and tempera on a vellum roll of four membranes

Cleared · CC0

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Cleveland Museum of ArtSimilar
Peter of Poitiers's "Compendium Historiae in Genealogia Christi" by an unrecorded maker, The Cleveland Museum of Art

Peter of Poitiers's "Compendium Historiae in Genealogia Christi"

Unrecorded maker

c. 1220 · Manuscript, ink and tempera on a vellum roll of four membranes

Cleared · CC0

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Cleveland Museum of ArtSimilar
Peter of Poitiers's "Compendium Historiae in Genealogia Christi" by an unrecorded maker, The Cleveland Museum of Art

Peter of Poitiers's "Compendium Historiae in Genealogia Christi"

Unrecorded maker

c. 1220 · Manuscript, ink and tempera on a vellum roll of four membranes

Cleared · CC0

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Cleveland Museum of ArtSimilar
Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity by Master of Gijsbrecht van Brederode, The Cleveland Museum of Art

Book of Hours (Use of Utrecht): fol. 63r, Initial with Holy Trinity

Master of Gijsbrecht van Brederode

c. 1460–1465 · Bound Volume, ink, tempera, and gold on vellum; binding: brown Morocco over original wooden boards

Cleared · CC0

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Cleveland Museum of ArtSimilar

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