
Manuscript Illumination with the Annunciation in an Initial R, from a Gradual
Unrecorded maker
ca. 1300 · Tempera, ink and gold on parchment
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
453 ms. The Metropolitan Museum of Art, Collection API (Open Access)
358 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 778 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Manuscript Illumination with the Annunciation in an Initial R, from a Gradual
Unrecorded maker
ca. 1300 · Tempera, ink and gold on parchment
Cleared · Public Domain
live
Leaf from a Book of Hours: Text with Illustrated Border (verso)
Unrecorded maker
c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
live
Manuscript Illumination with the Evangelist Luke
Unrecorded maker
late 13th–early 14th century · Tempera and gold on parchment
Cleared · Public Domain
live
Pair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin
Boucicaut Master
c. 1415 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Manuscript Illumination with the Birth of the Virgin in an Initial G, from a Gradual
Don Silvestro de' Gherarducci (d. 1399)
ca. 1375 · Tempera, ink, and gold on parchment
Cleared · Public Domain
live
Leaf from a Book of Hours: Adam and Eve and the Fall of Man (Prefatory Miniature to the Office of the Virgin) (recto) and Text with Illustrated Border (verso) (1 of 3 Excised Leaves)
Unrecorded maker
c. 1510 · Manuscript, ink, tempera, and liquid gold on vellum
Cleared · CC0
live
Manuscript Illumination with Crucifixion in an Initial T, from a Missal
Unrecorded maker
ca. 1400 · Tempera, ink and gold on parchment
Cleared · Public Domain
live![Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso) by an unrecorded maker, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1999.132/1999.132_web.jpg)
Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (verso)
Unrecorded maker
c. 1420–50 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Manuscript Illumination with the Assumption of the Virgin in an Initial A, from an Antiphonary
Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)
1450–60 · Tempera, ink, and gold on parchment
Cleared · Public Domain
live
Christ in Majesty with the Virgin and Saint John the Evangelist: Single Leaf from a Book of Rules
Master of the Washington Coronation
c. 1310–20 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Manuscript Illumination with the Assumption of the Virgin in an Initial G, from a Gradual
Cosmè Tura (Cosimo di Domenico di Bonaventura) (d. 1495)
1450–60 · Tempera, ink, and gold on parchment
Cleared · Public Domain
live
Leaf from a Psalter with Full Border with Medallions (Annunciation, SS. Jerome, Clare, Sebastian and Bernardino) and Historiated Initial (E): Virgin and Child
Unrecorded maker
1475 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.