Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine
Second Master of the Wettinger Gradual
c. 1330 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metsealed sample 2026-10-04T00:00:00.000Z
The Metropolitan Museum of Art did not answer: met answered HTTP 403
- Clevelandlive
416 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 153 matching records exist across the two collections.
Results for "Manuscript Leaf, from a Gradual"12 records
Institutions answered newest-first by record, interleaved
Leaf from an Antiphonary: Coronation of the Virgin
Master of the Beffi Triptych (d. 1425)
1400s · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Initial S from a Gradual: Saint Augustine
Master of the Murano Gradual
c. 1420 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Gradual: Initial (D) with John the Baptist
Francesco d'Antonio del Cherico (d. 1484)
late 1450s · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Gradual: Initial (M) with St. Andrew (recto)
Jacopo Filippo d' Argenta (d. 1501)
c. 1480 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Gradual: Initial P with the Nativity
Attavante degli Attavanti (d. 1525)
c. 1500 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) and Initial D (verso)
Unrecorded maker
mid-1300s · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Single Leaf from a Missal: The Crucifixion
Nicolò da Bologna (d. 1403)
c. 1390 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Gradual: Historiated Initial R: Initial D (verso)
Unrecorded maker
mid-1300s · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf from a Gradual: Historiated Initial R: The Resurrection (recto)
Unrecorded maker
mid-1300s · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul
Unrecorded maker
c. 1325 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
liveCleveland Museum of ArtSimilar
Bifolium Excised from a Carolingian Gradual
Unrecorded maker
c. 830–60 · Manuscript, gold and silver ink on purple parchment
Cleared · CC0
liveCleveland Museum of ArtSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.