
Leaf from an Antiphonary: Coronation of the Virgin
Master of the Beffi Triptych (d. 1425)
1400s · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
The Metropolitan Museum of Art did not answer: met answered HTTP 403
402 ms. The Cleveland Museum of Art, Open Access API
1 of 2 providers answered live. 85 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Leaf from an Antiphonary: Coronation of the Virgin
Master of the Beffi Triptych (d. 1425)
1400s · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul
Unrecorded maker
c. 1325 · Manuscript, ink, tempera and gold on vellum
Cleared · CC0
live
Bifolio from an Antiphonary: Historiated Initial O with the Nativity
Unrecorded maker
early 1400s · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
Leaf from an Antiphonary: Text (verso)
Unrecorded maker
c. 1475 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf from an Antiphonary: Floral Initial (recto)
Unrecorded maker
c. 1475 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
live![Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity by Benvenuto di Giovanni, The Cleveland Museum of Art](https://openaccess-cdn.clevelandart.org/1952.282/1952.282_web.jpg)
Single Leaf from an Antiphonary: Initial H[odie nobis] with The Nativity
Benvenuto di Giovanni
1471 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
live
The Ascension: Leaf from a Book of Hours (4 of 6 Excised Leaves)
Henri d'Orquevaulx
c. 1420–30 · Manuscript, ink, tempera, silver, and gold on vellum
Cleared · CC0
live
Christ before Pilate: Leaf from a Book of Hours (2 of 6 Excised Leaves)
Henri d'Orquevaulx
c. 1420–30 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf from an Antiphonary: Floral Initial (recto); Text (verso)
Unrecorded maker
c. 1475 · Manuscript, Ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf from a Book of Hours: Saint Barbara (6 of 6 Excised Leaves)
Henri d'Orquevaulx
c. 1420–30 · Manuscript, ink, tempera, silver, and gold on vellum
Cleared · CC0
live
The Nativity: Leaf from a Book of Hours (3 of 6 Excised Leaves)
Henri d'Orquevaulx
c. 1420–30 · Manuscript, ink, tempera, and gold on vellum
Cleared · CC0
live
Leaf from the Wettinger Gradual: Historiated Initial (I) with Scenes from the Life of St. Augustine
Second Master of the Wettinger Gradual
c. 1330 · Manuscript, ink, tempera, and gold on parchment
Cleared · CC0
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