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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    231 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    475 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 7,509 matching records exist across the two collections.

Results for "Manuscript Leaves Fragment"11 records

Institutions answered newest-first by record, interleaved

Manuscript Leaf Fragment by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf Fragment

Unrecorded maker

4th–7th century · Ink on parchment

Cleared · Public Domain

live
The MetSimilar
Partial Leaf from a Latin Bible: Initial I[n principio] with the Marriage at Cana by an unrecorded maker, The Cleveland Museum of Art

Partial Leaf from a Latin Bible: Initial I[n principio] with the Marriage at Cana

Unrecorded maker

c. 1260–1270 · Manuscript, ink, tempera, and gold on vellum

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Manuscript Leaf Fragment by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaf Fragment

Unrecorded maker

4th–7th century · Ink on parchment

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaves Fragment by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaves Fragment

Unrecorded maker

4th–7th century · Ink on parchment

Cleared · Public Domain

live
The MetSimilar
Leaves from a Coptic Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Leaves from a Coptic Manuscript

Unrecorded maker

6th–14th century (?) · Ink on paper

Cleared · Public Domain

live
The MetSimilar
Leaves from a Coptic Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Leaves from a Coptic Manuscript

Unrecorded maker

6th–14th century (?) · Ink on paper

Cleared · Public Domain

live
The MetSimilar
Leaves from a Coptic Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Leaves from a Coptic Manuscript

Unrecorded maker

6th–14th century (?) · ink on paper

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaves from an Arabic Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaves from an Arabic Manuscript

Unrecorded maker

6th–14th century (?) · Ink on paper

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaves from an Arabic Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaves from an Arabic Manuscript

Unrecorded maker

6th–14th century (?) · Ink on paper

Cleared · Public Domain

live
The MetSimilar
Manuscript Leaves from an Arabic Manuscript by an unrecorded maker, The Metropolitan Museum of Art

Manuscript Leaves from an Arabic Manuscript

Unrecorded maker

6th–14th century (?) · Ink on paper

Cleared · Public Domain

live
The MetSimilar
Extract of Manuscript Leaves by an unrecorded maker, The Metropolitan Museum of Art

Extract of Manuscript Leaves

Unrecorded maker

17th–18th century · Four manuscript pages; ink and metallic pigments (gold) on paper

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.