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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    323 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    310 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 266 matching records exist across the two collections.

Results for "Marble architrave with inscription"11 records

Institutions answered newest-first by record, interleaved

Marble stele with a Lydian inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble stele with a Lydian inscription

Unrecorded maker

6th century BCE? · Marble

Cleared · Public Domain

live
The MetSimilar
Fragmentary marble inscription by an unrecorded maker, The Metropolitan Museum of Art

Fragmentary marble inscription

Unrecorded maker

ca. 425–424 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Fragmentary marble inscription by an unrecorded maker, The Metropolitan Museum of Art

Fragmentary marble inscription

Unrecorded maker

1st half of 4th century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble bowl fragment with Phoenician inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble bowl fragment with Phoenician inscription

Unrecorded maker

ca. 389 BCE · Marble, white

Cleared · Public Domain

live
The MetSimilar
Marble cippus fragment with Phoenician inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble cippus fragment with Phoenician inscription

Unrecorded maker

4th century BCE · Marble, white

Cleared · Public Domain

live
The MetSimilar
Marble cippus with Phoenician inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble cippus with Phoenician inscription

Unrecorded maker

ca. 362–312 BCE · Marble, white

Cleared · Public Domain

live
The MetSimilar
Marble architrave with inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble architrave with inscription

Unrecorded maker

1st century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble plaque with funerary inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble plaque with funerary inscription

Unrecorded maker

1st–2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble plaque with funerary inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble plaque with funerary inscription

Unrecorded maker

1st–2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble funerary inscription by an unrecorded maker, The Metropolitan Museum of Art

Marble funerary inscription

Unrecorded maker

2nd–3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marble bowl with Phoenician inscription

Unrecorded maker

ca. 389 BCE · Marble, white

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.