
Marble calyx-krater with reliefs of maidens and dancing maenads
Unrecorded maker
1st century CE · Marble, Pentelic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
452 ms. The Metropolitan Museum of Art, Collection API (Open Access)
394 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 4 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Marble calyx-krater with reliefs of maidens and dancing maenads
Unrecorded maker
1st century CE · Marble, Pentelic
Cleared · Public Domain
live
Two marble pilasters
Unrecorded maker
ca. 117–138 CE · Marble
Cleared · Public Domain
live
Marble fragment of a volute krater
Unrecorded maker
1st–2nd century CE · Marble
Cleared · Public Domain
live
Commode à vantaux
David Roentgen (d. 1807)
ca. 1775–79 with later alterations · Oak, pine, walnut, mahogany, and cherry veneered with hornbeam (partially stained), tulipwood, walnut, holly and maple (both partially stained), boxwood, mahogany, and other woods; red brocatelle marble; gilt bronze; iron, steel, and brass
Cleared · Public Domain
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.