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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    191 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    341 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Marble disk with two theater masks in re"10 records

Institutions answered newest-first by record, interleaved

Inner Coffin of the Chantress of Amun-Re Henettawy by an unrecorded maker, The Metropolitan Museum of Art

Inner Coffin of the Chantress of Amun-Re Henettawy

Unrecorded maker

ca. 1000–945 BCE · Wood, gesso, paint

Cleared · Public Domain

live
The MetSimilar
Mummy Board of the Chantress of Amun-Re Henettawy by an unrecorded maker, The Metropolitan Museum of Art

Mummy Board of the Chantress of Amun-Re Henettawy

Unrecorded maker

ca. 1000–945 BCE · Gessoed and painted wood

Cleared · Public Domain

live
The MetSimilar
Outer Coffin of the Chantress of Amun-Re Henettawy by an unrecorded maker, The Metropolitan Museum of Art

Outer Coffin of the Chantress of Amun-Re Henettawy

Unrecorded maker

ca. 1000–945 BCE · Wood, gesso, paint, varnish

Cleared · Public Domain

live
The MetSimilar
Magical Stela with Horus the Child by an unrecorded maker, The Metropolitan Museum of Art

Magical Stela with Horus the Child

Unrecorded maker

360–343 BCE · Metagraywacke

Cleared · Public Domain

live
The MetSimilar
Marble disk with two theater masks in relief by an unrecorded maker, The Metropolitan Museum of Art

Marble disk with two theater masks in relief

Unrecorded maker

3rd quarter of 1st century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Collar with medallions containing coins of emperors by an unrecorded maker, The Metropolitan Museum of Art

Collar with medallions containing coins of emperors

Unrecorded maker

ca. 225 CE · Gold

Cleared · Public Domain

live
The MetSimilar
Hermaphrodite by Giovanni Francesco Susini, The Metropolitan Museum of Art

Hermaphrodite

Giovanni Francesco Susini (d. 1653)

1639 · Bronze

Cleared · Public Domain

live
The MetSimilar
Armchair by Karl Friedrich Schinkel, The Metropolitan Museum of Art

Armchair

Karl Friedrich Schinkel (d. 1841)

ca. 1828 · Gilded mountain ash; brass mounts and casters; modern upholstery

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Album containing prints clipped from American and British periodicals

Illman and Sons (d. 1900)

1815–60 · Hand-colored etching, engraving, lithograph, mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Clock

Tiffany & Co. (d. 9999)

ca. 1885 · Marble, bronze

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.