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A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    400 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    374 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 12 matching records exist across the two collections.

Results for "Marble fragment of an Ionic column capi"11 records

Institutions answered newest-first by record, interleaved

Terracotta fragment of a kylix (drinking cup) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta fragment of a kylix (drinking cup)

Unrecorded maker

second quarter of the 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Marble column from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble column from the Temple of Artemis at Sardis

Unrecorded maker

ca. 300 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble fragment of an anta (pilaster) capital from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an anta (pilaster) capital from the Temple of Artemis at Sardis

Unrecorded maker

ca. early 3rd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble fragment of an Ionic column base from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an Ionic column base from the Temple of Artemis at Sardis

Unrecorded maker

ca. 3rd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble fragment of an Ionic column capital from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an Ionic column capital from the Temple of Artemis at Sardis

Unrecorded maker

3rd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble architectural fragment with palmette from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble architectural fragment with palmette from the Temple of Artemis at Sardis

Unrecorded maker

3rd or 2nd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble fragment of an Ionic column capital by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an Ionic column capital

Unrecorded maker

3rd–1st century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Five marble architectural fragments by an unrecorded maker, The Metropolitan Museum of Art

Five marble architectural fragments

Unrecorded maker

ca. 90–92 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble fragment of an  Ionic column capital from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an Ionic column capital from the Temple of Artemis at Sardis

Unrecorded maker

ca. 300 BCE–early 2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Upper right corner of a marble sarcophagus with the Latin legend of Mars and Rhea Silvia by an unrecorded maker, The Metropolitan Museum of Art

Upper right corner of a marble sarcophagus with the Latin legend of Mars and Rhea Silvia

Unrecorded maker

late 2nd–early 3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Secretary by Martin Carlin, The Metropolitan Museum of Art

Secretary

Martin Carlin (d. 1785)

ca. 1781–85 · Oak veneered with tulipwood, amaranth, holly, ebonized holly, and other marquetry wood; brass; green-colored metal; gilt-bronze mounts; marble top. Soft paste porcelain plaques from the Sèvres Manufactory.

Cleared · Public Domain

live
The MetSimilar

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