Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    279 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    293 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 21 matching records exist across the two collections.

Results for "Marble fragment of an anta (pilaster) ca"12 records

Institutions answered newest-first by record, interleaved

Cast reconstruction of Babylonian Flood Tablet by an unrecorded maker, The Metropolitan Museum of Art

Cast reconstruction of Babylonian Flood Tablet

Unrecorded maker

19th century, after 7th century BCE original · Plaster

Cleared · Public Domain

live
The MetSimilar
Marble architectural fragment by an unrecorded maker, The Metropolitan Museum of Art

Marble architectural fragment

Unrecorded maker

ca. 421–409 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble fragment of an anta (pilaster) capital from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an anta (pilaster) capital from the Temple of Artemis at Sardis

Unrecorded maker

early 3rd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble fragment of an anta (pilaster) capital from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble fragment of an anta (pilaster) capital from the Temple of Artemis at Sardis

Unrecorded maker

ca. early 3rd century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble architectural fragment from the Temple of Artemis at Sardis by an unrecorded maker, The Metropolitan Museum of Art

Marble architectural fragment from the Temple of Artemis at Sardis

Unrecorded maker

ca. 300 BCE–early 2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Lower part of a marble relief with two goddesses by an unrecorded maker, The Metropolitan Museum of Art

Lower part of a marble relief with two goddesses

Unrecorded maker

1st–2nd century CE · Marble, Pentelic

Cleared · Public Domain

live
The MetSimilar
Design Fragment for the Left Side of the 'Fonte Gaia' in Siena by Jacopo della Quercia (Jacopo di Pietro d’Angelo di Guarnieri), The Metropolitan Museum of Art

Design Fragment for the Left Side of the 'Fonte Gaia' in Siena

Jacopo della Quercia (Jacopo di Pietro d’Angelo di Guarnieri) (d. 1438)

1415–16 · Pen and medium brown ink, brush and brown wash, over traces of leadpoint and ruling, on vellum, glued onto secondary paper support

Cleared · Public Domain

live
The MetSimilar
Jupiter Ammon by an unrecorded maker, The Metropolitan Museum of Art

Jupiter Ammon

Unrecorded maker

early to mid-16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Ceres (allegory of Peace) (one of a pair) by Girolamo Campagna, The Metropolitan Museum of Art

Andiron with figure of Ceres (allegory of Peace) (one of a pair)

Girolamo Campagna (d. 1625)

possibly 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Andiron with figure of Minerva (allegory of War) (one of a pair) by Girolamo Campagna, The Metropolitan Museum of Art

Andiron with figure of Minerva (allegory of War) (one of a pair)

Girolamo Campagna (d. 1625)

possibly 17th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Bedroom from the Sagredo Palace by Abbondio Stazio, The Metropolitan Museum of Art

Bedroom from the Sagredo Palace

Abbondio Stazio (d. 1757)

ca. 1720 or later · Wood, stucco, marble, glass

Cleared · Public Domain

live
The MetSimilar
Sabine Houdon (1787–1836) by Jean Antoine Houdon, The Metropolitan Museum of Art

Sabine Houdon (1787–1836)

Jean Antoine Houdon (d. 1828)

1788 · White marble on gray marble socle

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.