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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metsealed sample 2026-10-04T00:00:00.000Z

    The Metropolitan Museum of Art did not answer: met answered HTTP 403

  • Clevelandlive

    468 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

1 of 2 providers answered live. 16 matching records exist across the two collections.

Results for "Marble lion"12 records

Institutions answered newest-first by record, interleaved

Engaged Capital with a Lion and a Basilisk by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with a Lion and a Basilisk

Unrecorded maker

1175–1200 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Guardian Lion by an unrecorded maker, The Cleveland Museum of Art

Guardian Lion

Unrecorded maker

c. 600 · Sculpture, white marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Portrait of Baccio Bandinelli with Lion by Nicolo della Casa, The Cleveland Museum of Art

Portrait of Baccio Bandinelli with Lion

Nicolo della Casa

1548 · Print, engraving

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of a Sphinx by an unrecorded maker, The Cleveland Museum of Art

Head of a Sphinx

Unrecorded maker

540–520 BCE · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Engaged Capital with Lions by an unrecorded maker, The Cleveland Museum of Art

Engaged Capital with Lions

Unrecorded maker

1145–64 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lion Devouring a Lamb by an unrecorded maker, The Cleveland Museum of Art

Lion Devouring a Lamb

Unrecorded maker

early 700s · Sculpture, white marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Lion by an unrecorded maker, The Cleveland Museum of Art

Lion

Unrecorded maker

618–907 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Guardian Griffin (pair) by an unrecorded maker, The Cleveland Museum of Art

Guardian Griffin (pair)

Unrecorded maker

1150–1175 · Sculpture, pink limestone (called "Verona Marble")

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Head of Herakles Refashioned as a Weight by an unrecorded maker, The Cleveland Museum of Art

Head of Herakles Refashioned as a Weight

Unrecorded maker

300–200 BCE · Sculpture, bronze filled with lead

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Fragment of a Lion by an unrecorded maker, The Cleveland Museum of Art

Fragment of a Lion

Unrecorded maker

before 1915 · Sculpture, marble

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Guardian Griffin by an unrecorded maker, The Cleveland Museum of Art

Guardian Griffin

Unrecorded maker

1150–1175 · Sculpture, pink limestone (called "Verona Marble")

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Guardian Griffin by an unrecorded maker, The Cleveland Museum of Art

Guardian Griffin

Unrecorded maker

1150–1175 · Sculpture, pink limestone (called "Verona Marble")

Cleared · CC0

live
Cleveland Museum of ArtSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.