Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    255 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    309 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 507 matching records exist across the two collections.

Results for "Marble portrait of Livia"11 records

Institutions answered newest-first by record, interleaved

Marble portrait of a man by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait of a man

Unrecorded maker

late 1st century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait of Livia by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait of Livia

Unrecorded maker

ca. 14–37 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait of the emperor Augustus by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait of the emperor Augustus

Unrecorded maker

ca. 14–37 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait of a man by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait of a man

Unrecorded maker

ca. 100 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait head of Antinoos by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait head of Antinoos

Unrecorded maker

ca. 130–138 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait of  Matidia Minor by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait of Matidia Minor

Unrecorded maker

ca. 138–161 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait bust of a woman

Unrecorded maker

ca. 100–120 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait bust of a woman by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait bust of a woman

Unrecorded maker

ca. 155–165 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait head of a woman by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait head of a woman

Unrecorded maker

early 3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait bust of a man by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait bust of a man

Unrecorded maker

mid–3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble portrait of a man by an unrecorded maker, The Metropolitan Museum of Art

Marble portrait of a man

Unrecorded maker

first half of the 3rd century CE · Marble

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.