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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    435 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    235 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 257 matching records exist across the two collections.

Results for "Marble pyxis (box)"10 records

Institutions answered newest-first by record, interleaved

Marble lid of a spool pyxis by an unrecorded maker, The Metropolitan Museum of Art

Marble lid of a spool pyxis

Unrecorded maker

ca. 2700–2200 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Terracotta pyxis (cosmetic box) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta pyxis (cosmetic box)

Unrecorded maker

6th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta pyxis (box)

Unrecorded maker

last quarter of 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta pyxis (box)

Unrecorded maker

last quarter of 5th century BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Terracotta pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Terracotta pyxis (box)

Unrecorded maker

ca. 425–400 BCE · Terracotta

Cleared · Public Domain

live
The MetSimilar
Marble pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Marble pyxis (box)

Unrecorded maker

late 5th–early 4th century BCE · Marble, paint

Cleared · Public Domain

live
The MetSimilar
Marble pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Marble pyxis (box)

Unrecorded maker

late 5th–early 4th century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Marble pyxis (box)

Unrecorded maker

late 5th–early 4th century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Marble pyxis (box)

Unrecorded maker

late 5th–early 4th century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble pyxis (box) by an unrecorded maker, The Metropolitan Museum of Art

Marble pyxis (box)

Unrecorded maker

late 5th–early 4th century BCE · Marble

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.