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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Open the docketStar on GitHub

Where this page got its records

  • The Metlive

    322 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    282 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 32 matching records exist across the two collections.

Results for "Marble statue of Tyche-Fortuna restored"11 records

Institutions answered newest-first by record, interleaved

Marble statue of a bearded Hercules by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of a bearded Hercules

Unrecorded maker

68–98 CE · Marble, Island

Cleared · Public Domain

live
The MetSimilar
Marble statue of Tyche-Fortuna restored with the portrait head of a woman by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of Tyche-Fortuna restored with the portrait head of a woman

Unrecorded maker

ca. 81–100 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble statue of the so-called Apollo Lykeios by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of the so-called Apollo Lykeios

Unrecorded maker

130–161 CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble torso of the so-called Apollo Lykeios by an unrecorded maker, The Metropolitan Museum of Art

Marble torso of the so-called Apollo Lykeios

Unrecorded maker

130–161 CE · Marble, Island

Cleared · Public Domain

live
The MetSimilar
Marble statue of a wounded Amazon by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of a wounded Amazon

Unrecorded maker

1st–2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble statue of Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of Aphrodite

Unrecorded maker

1st or 2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble statue of Hermes by Polykleitos, The Metropolitan Museum of Art

Marble statue of Hermes

Polykleitos

1st or 2nd century CE · Marble, Pentellic

Cleared · Public Domain

live
The MetSimilar
Marble statue of Tyche-Fortuna restored with the portrait head of a woman by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of Tyche-Fortuna restored with the portrait head of a woman

Unrecorded maker

1st or 2nd century CE · Marble

Cleared · Public Domain

live
The MetSimilar
Triompho di Fortuna by Sigismundo Fanti, The Metropolitan Museum of Art

Triompho di Fortuna

Sigismundo Fanti (d. 1550)

January 1526 · Printed book with woodcut illustrations

Cleared · Public Domain

live
The MetSimilar
Dining room from Lansdowne House by Robert Adam, The Metropolitan Museum of Art

Dining room from Lansdowne House

Robert Adam (d. 1792)

1766–69 · Wood, plaster, stone

Cleared · Public Domain

live
The MetSimilar
Bathing Venus by Giambologna, The Metropolitan Museum of Art

Bathing Venus

Giambologna (d. 1608)

17th–18th century · Bronze

Cleared · Public Domain

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.