Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    459 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    329 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 511 matching records exist across the two collections.

Results for "Marble statue of a sphinx, fragmentary"11 records

Institutions answered newest-first by record, interleaved

Marble sphinx on a cavetto capital by an unrecorded maker, The Metropolitan Museum of Art

Marble sphinx on a cavetto capital

Unrecorded maker

ca. 580–575 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Fragmentary limestone sphinx by an unrecorded maker, The Metropolitan Museum of Art

Fragmentary limestone sphinx

Unrecorded maker

early 6th century BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Limestone statue of a sphinx by an unrecorded maker, The Metropolitan Museum of Art

Limestone statue of a sphinx

Unrecorded maker

ca. 550–525 BCE · Limestone

Cleared · Public Domain

live
The MetSimilar
Marble statue of a seated lion by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of a seated lion

Unrecorded maker

ca. 500 BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble and limestone statue of an attendant by an unrecorded maker, The Metropolitan Museum of Art

Marble and limestone statue of an attendant

Unrecorded maker

late 4th or 3rd century BCE · Marble and limestone

Cleared · Public Domain

live
The MetSimilar
Marble statue of a panther by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of a panther

Unrecorded maker

ca. 323–31 BC · Marble

Cleared · Public Domain

live
The MetSimilar
Marble statue of a draped seated man by Zeuxis, The Metropolitan Museum of Art

Marble statue of a draped seated man

Zeuxis

1st century BCE · Marble, Pentelic

Cleared · Public Domain

live
The MetSimilar
Marble statue of a youth by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of a youth

Unrecorded maker

1st century BCE · Marble

Cleared · Public Domain

live
The MetSimilar
Marble statue of a youth by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of a youth

Unrecorded maker

1st century CE · Marble, Pentelic

Cleared · Public Domain

live
The MetSimilar
Marble statue of a crouching Aphrodite by an unrecorded maker, The Metropolitan Museum of Art

Marble statue of a crouching Aphrodite

Unrecorded maker

1st or 2nd century CE · Marble, Parian ?

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marble statue of a sphinx, fragmentary

Unrecorded maker

3rd quarter of the 6th century BCE · Marble

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.