
Male Figure
Valdivia artist(s)
3000 BCE · Ceramic
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
287 ms. The Metropolitan Museum of Art, Collection API (Open Access)
387 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 428 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Male Figure
Valdivia artist(s)
3000 BCE · Ceramic
Cleared · Public Domain
live
Marble male figure
Unrecorded maker
2400–2300 BCE or later · Marble
Cleared · Public Domain
live
Limestone statuette of a male figure with Egyptianizing features
Unrecorded maker
mid-6th century BCE · Limestone
Cleared · Public Domain
live
Marble statuette of young Dionysos
Unrecorded maker
1st–2nd century CE · Marble
Cleared · Public Domain
live
Marble statuette of a male figure with shaggy hair
Unrecorded maker
1st or 2nd century CE · Marble, Pentelic ?
Cleared · Public Domain
live
Marble statuette of a seated man
Unrecorded maker
1st–2nd century CE · Marble
Cleared · Public Domain
live
Seated male figure
Lagunillas artist(s)
200 BCE–200 CE · Ceramic, slip
Cleared · Public Domain
live
Seated male figure
Nayarit artist(s)
100–400 CE · Ceramic, slip
Cleared · Public Domain
live
Standing male figure
Chimú artist(s)
1300–1470 CE · Wood
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Marble relief fragment with a male figure
Unrecorded maker
197 · Marble
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Male ancestor figure
Asmat artist(s)
ca. 1961 · Wood, paint, fiber, bamboo
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.