
Study for "L'Accordée du village"
Jean-Baptiste Greuze (d. 1805)
ca. 1761 · Red and black chalk over traces of graphite, watercolor and gouache
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
361 ms. The Metropolitan Museum of Art, Collection API (Open Access)
352 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 68 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Study for "L'Accordée du village"
Jean-Baptiste Greuze (d. 1805)
ca. 1761 · Red and black chalk over traces of graphite, watercolor and gouache
Cleared · Public Domain
live
Fanfan
Jean Honoré Fragonard (d. 1806)
1778 · Etching, third state of three
Cleared · Public Domain
live
The Child and the Bulldog
Marguerite Gérard (d. 1837)
1778 · Etching; second state of three
Cleared · Public Domain
live
Portrait of Jean Honoré Fragonard
Charles Louis François Le Carpentier (d. 1822)
1808 · Etching
Cleared · Public Domain
live
Portrait of Madame Gabrielle Marcotte de Quivières
Théodore Chassériau (d. 1856)
1845 · Graphite on white wove paper darkened to buff, mounted on stiff paper
Cleared · Public Domain
live![[Dog] by Louis-Auguste Bisson, The Metropolitan Museum of Art](https://images.metmuseum.org/CRDImages/ph/web-large/DP233970.jpg)
[Dog]
Louis-Auguste Bisson (d. 1876)
1841–49 · Daguerreotype
Cleared · Public Domain
live
Marguerite De Gas, the Artist's Sister
Edgar Degas (d. 1917)
1860–62 · Etching and drypoint; unique impression of the second state of six
Cleared · Public Domain
live
The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)
Berthe Morisot (d. 1895)
ca. 1870 · Oil on canvas
Cleared · Public Domain
live
The Apple Pickers
Edgar Degas (d. 1917)
modeled ca. 1881–83, cast 1920 · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Album containing prints clipped from American and British periodicals
Illman and Sons (d. 1900)
1815–60 · Hand-colored etching, engraving, lithograph, mezzotint
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Portrait of the Artist’s Sister (Effie Stillman)
Lisa Stillman (d. 1946)
1892 · Pastel on paper mounted on cardboard
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Helena de Kay Gilder
Cecilia Beaux (d. 1942)
1911 · Oil on canvas
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.