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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    408 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    295 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Maria, Countess of Waldegrave"12 records

Institutions answered newest-first by record, interleaved

María Teresa (1638–1683), Infanta of Spain by Juan Bautista Martínez del Mazo, The Metropolitan Museum of Art

María Teresa (1638–1683), Infanta of Spain

Juan Bautista Martínez del Mazo (d. 1667)

1646 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Mrs. Augustus Jay by Gerrit Duyckinck, The Metropolitan Museum of Art

Mrs. Augustus Jay

Gerrit Duyckinck (d. 1712)

ca. 1700 · Oil on wood

Cleared · Public Domain

live
The MetSimilar
Portrait of Maria Theresa of Savoy, The Countess d'Artois by Louis Jacques Cathelin, The Metropolitan Museum of Art

Portrait of Maria Theresa of Savoy, The Countess d'Artois

Louis Jacques Cathelin (d. 1804)

1777 · Etching and engraving

Cleared · Public Domain

live
The MetSimilar
Condesa de Altamira and Her Daughter, María Agustina by Goya (Francisco de Goya y Lucientes), The Metropolitan Museum of Art

Condesa de Altamira and Her Daughter, María Agustina

Goya (Francisco de Goya y Lucientes) (d. 1828)

1787–88 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Sampler by Laura Hyde, The Metropolitan Museum of Art

Sampler

Laura Hyde (d. 1857)

1800 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Countess Alexander Nikolaevitch Lamsdorff (Maria Ivanovna Beck, 1835–1866) by Franz Xaver Winterhalter, The Metropolitan Museum of Art

Countess Alexander Nikolaevitch Lamsdorff (Maria Ivanovna Beck, 1835–1866)

Franz Xaver Winterhalter (d. 1873)

1859 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maria, Countess of Coventry

Thomas Frye (d. 1762)

1761 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maria, Countess of Waldegrave

Richard Purcell (d. 1766)

1762–64 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Maria, Countess of Coventry

James McArdell (d. 1765)

1752–65 · Mezzotint; first state of five

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Her Royal Highness, The Duchess of Gloucester (formerly Maria Waldegrave, Countess Dowager)

John Finlayson (d. 1776)

1773 · Mezzotint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Ladies Waldegrave

Anonymous, British, 19th century (d. 1900)

1865 · Mezzotint and engraving on chine collé; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Waldegrave Sisters

Sydney Ernest Wilson (d. 1963)

1900–42 · Color mezzotint

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.