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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    260 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    318 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 17 matching records exist across the two collections.

Results for "Marion's Return, from "The Battle of Lif"12 records

Institutions answered newest-first by record, interleaved

The Battle at Ichinotani, from The Tale of the Heike (Heike monogatari) by an unrecorded maker, The Metropolitan Museum of Art

The Battle at Ichinotani, from The Tale of the Heike (Heike monogatari)

Unrecorded maker

17th century · One of a pair of six-panel folding screens; ink, color, gold, and gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Matthew Clarkson by Gilbert Stuart, The Metropolitan Museum of Art

Matthew Clarkson

Gilbert Stuart (d. 1828)

ca. 1794 · Oil on canvas

Cleared · Public Domain

live
The MetSimilar
Rinaldo rescued from Armida by Benjamin West, The Metropolitan Museum of Art

Rinaldo rescued from Armida

Benjamin West (d. 1820)

1766–1800 · Graphite

Cleared · Public Domain

live
The MetSimilar
Ruins of Mrs. Henry's House, Battlefield of Bull Run by George N. Barnard, The Metropolitan Museum of Art

Ruins of Mrs. Henry's House, Battlefield of Bull Run

George N. Barnard (d. 1902)

March 1862 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Sacrificial Knife by an unrecorded maker, The Metropolitan Museum of Art

Sacrificial Knife

Unrecorded maker

19th century · Steel, brass, wood

Cleared · Public Domain

live
The MetSimilar
Sacrificial Sword (Kartrī or Churī) by an unrecorded maker, The Metropolitan Museum of Art

Sacrificial Sword (Kartrī or Churī)

Unrecorded maker

19th century · Steel, brass, wood

Cleared · Public Domain

live
The MetSimilar
Sacrificial Sword (Rāmdāo) by an unrecorded maker, The Metropolitan Museum of Art

Sacrificial Sword (Rāmdāo)

Unrecorded maker

19th century · Steel, wood, brass

Cleared · Public Domain

live
The MetSimilar
Set of Sacrificial Weapons by an unrecorded maker, The Metropolitan Museum of Art

Set of Sacrificial Weapons

Unrecorded maker

19th century · Steel, wood, brass

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Marion's Return, from "The Battle of Life: A Love Story, Part the Third" (first page)

Richard Doyle (d. 1883)

1846 · Wood engraving; proof

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Design for Forbes Memorial Window

Frederick Wilson (d. 1932)

ca. 1910 · Watercolor, gouache, pen and brown ink, red colored pencil, and graphite

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Battlefield at Vaux, France]

Edward J. Steichen (d. 1973)

1918 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Study for The Epic of Gilgamesh: Gilgamesh's Struggle with the Wild Beasts

Dia al-Azzawi

1966–1967 · Ink and metallic paint on paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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