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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    793 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    394 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 490 matching records exist across the two collections.

Results for "Market Place, Tangiers"12 records

Institutions answered newest-first by record, interleaved

Prospect of the inner part of Tangier, with the upper Castle, from South-East, from "Views of Tangier" by Wenceslaus Hollar, The Metropolitan Museum of Art

Prospect of the inner part of Tangier, with the upper Castle, from South-East, from "Views of Tangier"

Wenceslaus Hollar (d. 1677)

1669–73 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Prospect of the inner part of Tangier by Wenceslaus Hollar, The Metropolitan Museum of Art

Prospect of the inner part of Tangier

Wenceslaus Hollar (d. 1677)

ca. 1670 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Market Place by John Singer Sargent, The Metropolitan Museum of Art

Market Place

John Singer Sargent (d. 1925)

1890s · Watercolor, gouache, and graphite on white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place

Jan van de Velde II (d. 1641)

1615 · Etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place, Tangiers

Ely Jacques Kahn (d. 1972)

1911 · Watercolor with graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place, Santiago

George Overbury "Pop" Hart (d. 1933)

ca. 1923 · Hand-colored lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place, Mexico

George Overbury "Pop" Hart (d. 1933)

ca. 1925 · Aquatint and softground in color

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place, Mexico

George Overbury "Pop" Hart (d. 1933)

ca. 1925 · Aquatint and softground

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Day, Tangiers

Westley Manning (d. 1941)

1927–30 · Etching and aquatint

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place

Grace Arnold Albee (d. 1985)

1938 · Wood engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Market Place

Andrée Ruellan (d. 2006)

1939 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Market Place

Phillip Pavia (d. 2005)

1968 · Marble

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.