
Necklace with Gold Marriage Medallion and Hematite Amulet
Unrecorded maker
400–450 (medallion); 100–200 (amulet) · Gold wrought and worked in repoussé and hematite
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
648 ms. The Metropolitan Museum of Art, Collection API (Open Access)
311 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 47 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Necklace with Gold Marriage Medallion and Hematite Amulet
Unrecorded maker
400–450 (medallion); 100–200 (amulet) · Gold wrought and worked in repoussé and hematite
Cleared · Public Domain
live
Selvaggia Sassetti (born 1470)
Davide Ghirlandaio (David Bigordi) (d. 1525)
ca. 1487–88 · Tempera on wood
Cleared · Public Domain
live
The Royal Family
Chelsea Porcelain Manufactory (d. 1784)
ca. 1761 · Soft-paste porcelain
Cleared · Public Domain
live
Necklace (part of a set)
Unrecorded maker
early 19th century · Cast iron
Cleared · Public Domain
live
Marriage Necklace (Thali)
Unrecorded maker
late 19th century · Gold strung on black thread
Cleared · Public Domain
live
Marriage Pendant (Thali)
Unrecorded maker
17th–19th century · Gold
Cleared · Public Domain
live
Necklace
Unrecorded maker
19th century · Silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alathea [Aletheia] Talbot, Countess of Arundel
Wenceslaus Hollar (d. 1677)
1646 · Etching; fourth state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alathea [Aletheia] Talbot, Countess of Arundel
Wenceslaus Hollar (d. 1677)
1646 · Etching; first state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alathea [Aletheia] Talbot, Countess of Arundel
Wenceslaus Hollar (d. 1677)
1646 · Etching; first state of four
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alathea [Aletheia] Talbot, Countess of Arundel
Wenceslaus Hollar (d. 1677)
1646 · Etching and engraving; first state
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Neck Ornament
Unrecorded maker
19th century · Silver
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.