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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    679 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    421 ms. The Cleveland Museum of Art, Open Access API

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United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 6 matching records exist across the two collections.

Results for "Marriage of Annibale Altemps and Ortensi"6 records

Institutions answered newest-first by record, interleaved

Marriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565, from "Speculum Romanae Magnificentiae" by Etienne DuPérac, The Metropolitan Museum of Art

Marriage of Annibale Altemps and Ortensia Borromeo, Rome, March 5, 1565, from "Speculum Romanae Magnificentiae"

Etienne DuPérac (d. 1604)

1565 · Engraving

Cleared · Public Domain

live
The MetSimilar
Plate for Giovanni d'avalos d'Aragona, from a series of twelve showing knights and their attendants dressed for a tournament (plate 2) by Anonymous, The Metropolitan Museum of Art

Plate for Giovanni d'avalos d'Aragona, from a series of twelve showing knights and their attendants dressed for a tournament (plate 2)

Anonymous

1565 · Etching

Cleared · Public Domain

live
The MetSimilar
Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso) by Annibale Carracci, The Metropolitan Museum of Art

Studies for a Figure of Saint Francis Kneeling in a Three-Quarter View and for His Hands (recto); Studies for a Figure of Saint Francis Kneeling in Profile (verso)

Annibale Carracci (d. 1609)

1583–85 · Red chalk with white chalk highlights, pen and brown ink (recto); red chalk (verso)

Cleared · Public Domain

live
The MetSimilar
Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso) by Agostino Carracci, The Metropolitan Museum of Art

Figure Studies for Various Female and Male Figures (recto); Threes Amors in the Garden of Venus (verso)

Agostino Carracci (d. 1602)

1600–02 · Pen and brown ink, some sketches over red chalk, some faint scribbles in charcoal (recto); pen and brown ink, brush and gray-blue wash (verso)

Cleared · Public Domain

live
The MetSimilar
Andromeda and the Sea Monster by Domenico Guidi, The Metropolitan Museum of Art

Andromeda and the Sea Monster

Domenico Guidi (d. 1701)

1694 · Marble

Cleared · Public Domain

live
The MetSimilar
Characters and Caricaturas by William Hogarth, The Metropolitan Museum of Art

Characters and Caricaturas

William Hogarth (d. 1764)

April 1743 · Etching; first state of two

Cleared · Public Domain

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The MetSimilar

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