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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    663 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    442 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 10 matching records exist across the two collections.

Results for "Martin Harvey in "A Tale of Two Cities""10 records

Institutions answered newest-first by record, interleaved

Automaton clock in the form of Urania, Muse of Astronomy by Paullus Schiller, The Metropolitan Museum of Art

Automaton clock in the form of Urania, Muse of Astronomy

Paullus Schiller (d. 1634)

ca. 1620–30 · Case: partly gilded and partly silvered brass, copper with traces of silver, ebony, and ebony veneer; Movement: gilded brass and partly blued steel

Cleared · Public Domain

live
The MetSimilar
Ambroise Bernard Album by Carleton E. Watkins, The Metropolitan Museum of Art

Ambroise Bernard Album

Carleton E. Watkins (d. 1916)

1870s · Albumen silver prints

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A View of Cooke's Tomb in St. Paul's Churchyard, New York

John Rubens Smith (d. 1849)

1821 · Aquatint with some engraving on off-white wove paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Sartain's Union Magazine of Literature and Art, vols. 4-5

John Sartain (d. 1897)

January–December 1849 · Illustrations: steel engravings, mezzotints, wood engravings, lithographs

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

A Positive Process from a Negative Result: "Try yer funny bizness on us, -- will yer?"

Currier & Ives (d. 1907)

1890 · Hand-colored lithograph, with touches of gum arabic

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Storm, Taos Mountain, New Mexico

John Marin (d. 1953)

1930 · Watercolor over charcoal on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Martin Harvey in "A Tale of Two Cities"

McMichael

1920s–30s · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Our America dinner plate with bird's eye view of lower Manhattan

Rockwell Kent (d. 1971)

ca. 1940–43 · Earthenware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Our America luncheon plate with Chicago's Michigan Avenue Bridge

Rockwell Kent (d. 1971)

ca. 1940–43 · Earthenware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Port Authority

Ray K. Metzker (d. 2014)

1966–67 · Gelatin silver print

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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