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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    336 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    277 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 41 matching records exist across the two collections.

Results for "Martuwarra (The Artist's Mother's Countr"12 records

Institutions answered newest-first by record, interleaved

Armorial Plate (tondino): The story of King Midas by Nicola da Urbino, The Metropolitan Museum of Art

Armorial Plate (tondino): The story of King Midas

Nicola da Urbino (d. 1538)

ca. 1520–25 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
The Annunciation by Philippe de Champaigne, The Metropolitan Museum of Art

The Annunciation

Philippe de Champaigne (d. 1674)

ca. 1644 · Oil on oak

Cleared · Public Domain

live
The MetSimilar
Flask by Andreas Joseph Rath, The Metropolitan Museum of Art

Flask

Andreas Joseph Rath (d. 1763)

1733 · Silver, mother-of-pearl

Cleared · Public Domain

live
The MetSimilar
[The Artist, His Mother, and Friends in Fishing Garb] by Olympe Aguado de las Marismas, The Metropolitan Museum of Art

[The Artist, His Mother, and Friends in Fishing Garb]

Olympe Aguado de las Marismas (d. 1894)

ca. 1860 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Spring: Margot Standing in a Garden (Fillette dans un jardin)

Mary Cassatt (d. 1926)

1900 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Carved chest

Robert Laurent (d. 1970)

1911 · Black walnut, tulip poplar, plywood, and brass

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Music Lovers

Theresa Bernstein (d. 2002)

1915 · Oil on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Aban, Baby Carrier Talisman

Unrecorded maker

19th–early 20th century · Shells, beads

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Ardeshir Mohassess (d. 2008)

1976 · Pen and ink and watercolor with graphite on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled

Ardeshir Mohassess (d. 2008)

1988 · Pen and ink on paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Martuwarra (The Artist's Mother's Country)

Ena Gimme Nungurrayi (d. 1992)

1990 · Acrylic on canvas

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Waters of Gulutji

Gunybi Ganambarr (d. 9999)

2024 · Etched aluminum composite panel

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.