Mary Cassatt at the Louvre: The Etruscan Gallery
Edgar Degas (d. 1917)
1879–80 · Soft ground, aquatint, etching, and drypoint; third state of nine
Cleared · Public Domain
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A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
168 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
332 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 3,992 matching records exist across the two collections.
Results for "Mary Cassatt at the Louvre: The Painting"12 records
Institutions answered newest-first by record, interleaved
Mary Cassatt at the Louvre: The Paintings Gallery
Edgar Degas (d. 1917)
1879–80 · Print, etching, softground etching, and aquatint
Cleared · CC0
liveCleveland Museum of ArtSimilar
Mary Cassatt at the Louvre: The Paintings Gallery
Edgar Degas (d. 1917)
1879–80 · Soft ground, aquatint, etching, and drypoint; unique impression of the fourth state of twenty
Cleared · Public Domain
liveThe MetSimilar
Mary Cassatt at the Louvre: The Paintings Gallery
Edgar Degas (d. 1917)
1879–80 · Print, etching, softground etching, aquatint, and drypoint
Cleared · CC0
liveCleveland Museum of ArtSimilar
Plate for "Mary Cassatt at the Louvre: The Paintings Gallery"
Edgar Degas (d. 1917)
1879–80 · Copperplate, etched and aquantinted, gold-plated
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lydia Crocheting in the Garden at Marly
Mary Cassatt (d. 1926)
1880 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Cup of Tea
Mary Cassatt (d. 1926)
ca. 1880–81 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Lady at the Tea Table
Mary Cassatt (d. 1926)
1883–85 · Oil on canvas
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
In the Omnibus
Mary Cassatt (d. 1926)
1890–91 · Drypoint and aquatint, printed in color from three plates; seventh state of seven (Mathews & Shapiro)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Bath
Mary Cassatt (d. 1926)
1890–91 · Drypoint, soft-ground etching and aquatint, printed in color from two plates; seventeenth state of seventeen (Mathews & Shapiro)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Coiffure
Mary Cassatt (d. 1926)
1890–91 · Drypoint and aquatint, printed in color from three plates; fifth state of five (Mathews & Shapiro)
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Letter
Mary Cassatt (d. 1926)
1890–91 · Drypoint, printed in black ink from one plate; first state of four
In copyright
liveThe MetSimilar
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