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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    777 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    311 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 39 matching records exist across the two collections.

Results for "Mary Constable and Her Brother"12 records

Institutions answered newest-first by record, interleaved

The Raising of Lazarus by Jan Muller, The Metropolitan Museum of Art

The Raising of Lazarus

Jan Muller (d. 1628)

ca. 1600 · Engraving; New Holl.'s second state of three

Cleared · Public Domain

live
The MetSimilar
The Lady Guldeforde (Mary Wotton, Lady Guildford) by Wenceslaus Hollar, The Metropolitan Museum of Art

The Lady Guldeforde (Mary Wotton, Lady Guildford)

Wenceslaus Hollar (d. 1677)

1647 · Etching; second state of two

Cleared · Public Domain

live
The MetSimilar
Sampler by Mary Munro, The Metropolitan Museum of Art

Sampler

Mary Munro (d. 1815)

1788 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Devi vanquishes the demon Nisumbha and his armies; folio from a Devi Mahatmya series. by an unrecorded maker, The Metropolitan Museum of Art

Devi vanquishes the demon Nisumbha and his armies; folio from a Devi Mahatmya series.

Unrecorded maker

18th century · Opaque pigments with gold on paper, with gilt-decorated blue margin and pink speckled border

Cleared · Public Domain

live
The MetSimilar
Mrs. Bunbury by John Young, The Metropolitan Museum of Art

Mrs. Bunbury

John Young (d. 1825)

January 15, 1791 · Mezzotint; second state of two

Cleared · Public Domain

live
The MetSimilar
Sampler by Rebekah S. Munro, The Metropolitan Museum of Art

Sampler

Rebekah S. Munro (d. 1803)

ca. 1791 · Silk embroidery on linen

Cleared · Public Domain

live
The MetSimilar
Nameless and Friendless, from "Illustrated London News" by Emily Mary Osborn, The Metropolitan Museum of Art

Nameless and Friendless, from "Illustrated London News"

Emily Mary Osborn (d. 1925)

July 12, 1862 · Wood engraving

Cleared · Public Domain

live
The MetSimilar
Mary Constable and Her Brother by Oscar Gustav Rejlander, The Metropolitan Museum of Art

Mary Constable and Her Brother

Oscar Gustav Rejlander (d. 1875)

1866 · Albumen silver print from glass negative

Cleared · Public Domain

live
The MetSimilar
Marie-Louise Pailleron by John Singer Sargent, The Metropolitan Museum of Art

Marie-Louise Pailleron

John Singer Sargent (d. 1925)

ca. 1881 · Ink applied with pen and brush on off-white wove paper

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Lady Guldeforde (Mary Wotton, Lady Guildford)

Wenceslaus Hollar (d. 1677)

1647 · Etching, second state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Old English Masters, II, Engraved by Timothy Cole, Japan Proofs

Timothy Cole (d. 1931)

1902 · Wood engravings on Japan paper

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

"Poor Mary Sits-A-Weeping"―page design

Paul Vincent Woodroffe (d. 1954)

December 23, 1906 · Pen and black ink, watercolor and graphite

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.