
Mrs. Robinson as Perdita
Richard Cosway (d. 1821)
ca. 1779 · Graphite, blue chalk, and watercolor, with touches of gouache (bodycolor)
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
188 ms. The Metropolitan Museum of Art, Collection API (Open Access)
387 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 56 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Mrs. Robinson as Perdita
Richard Cosway (d. 1821)
ca. 1779 · Graphite, blue chalk, and watercolor, with touches of gouache (bodycolor)
Cleared · Public Domain
live
The Presentation in the Temple
Rembrandt van Rijn (d. 1669)
c. 1654 · Print, etching, drypoint and engraving
Cleared · CC0
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mrs. Robinson ["Perdita"]
John Raphael Smith (d. 1812)
August 21, 1781 · Mezzotint, printed in color with touches of watercolor; second state of two
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mrs. Robinson
Thomas Burke (d. 1815)
January 1, 1788 · Stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mrs. Robinson
George Engleheart (d. 1829)
January 1, 1788 · Stipple engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mrs. Robinson
George Engleheart (d. 1829)
January 1, 1788 · Stipple engraving, printed in brown ink
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mary Robinson as Melania
John Condé (d. 1794)
1792 · Stipple engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mrs. Robinson
William Russell Birch (d. 1834)
April 1, 1792 · Stipple engraving with hand coloring; third state of three
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Burning of the American Theater, Bowery, between Two & Three o'clock on Sunday Morning, February 18th, 1838, the Third Conflagration
Henry R. Robinson (d. 1850)
1838 · Hand-colored lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Burning of the Bowery Theatre, on the evening of the 25th April, 1845
Henry R. Robinson (d. 1850)
1845 · Lithograph with tint stone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mary Robinson
Samuel Arlent Edwards (d. 1938)
1901 · Colour mezzotint on chine collé
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mrs. Mary Robinson
Samuel Arlent Edwards (d. 1938)
1904 (?) · Mezzotint
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.