
Funerary Mask of a Woman
Unrecorded maker
ca. 1427–1386 BCE · Cartonnage, gesso, paint, gold, copper alloy, faience
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
261 ms. The Metropolitan Museum of Art, Collection API (Open Access)
518 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 138 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Funerary Mask of a Woman
Unrecorded maker
ca. 1427–1386 BCE · Cartonnage, gesso, paint, gold, copper alloy, faience
Cleared · Public Domain
live
Mask of a woman with an austere hairstyle
Unrecorded maker
2nd century CE, perhaps about 140 CE · Plaster, paint
Cleared · Public Domain
live
Mask of a woman with an ornate curled bang and loop earrings
Unrecorded maker
98–117 CE · Plaster, paint
Cleared · Public Domain
live
Mask of a woman with radiating waves of hair
Unrecorded maker
225–250 CE · Plaster, paint, glass
Cleared · Public Domain
live
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino (d. 1540)
1530–37 · Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash.
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua ‘ba figure
Asante-Akan artist
Late 19th–early 20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Woman in a harlequin costume holding a mask
Sergey Sudeykin (d. 1946)
first half 20th century · Brush and black ink, gouache, watercolor
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
First half of 20th century · Wood, beads, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Fante-Akan artist
early–mid-20th century · Wood, glass beads, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
early–mid-20th century · Wood, beads, fiber
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
early–mid-20th century · Wood
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Akua 'ba figure
Asante-Akan artist
early–mid-20th century · Wood, beads, fiber
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.