Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    261 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    518 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 138 matching records exist across the two collections.

Results for "Mask of a woman with an ornate curled ba"12 records

Institutions answered newest-first by record, interleaved

Funerary Mask of a Woman by an unrecorded maker, The Metropolitan Museum of Art

Funerary Mask of a Woman

Unrecorded maker

ca. 1427–1386 BCE · Cartonnage, gesso, paint, gold, copper alloy, faience

Cleared · Public Domain

live
The MetSimilar
Mask of a woman with an austere hairstyle by an unrecorded maker, The Metropolitan Museum of Art

Mask of a woman with an austere hairstyle

Unrecorded maker

2nd century CE, perhaps about 140 CE · Plaster, paint

Cleared · Public Domain

live
The MetSimilar
Mask of a woman with an ornate curled bang and loop earrings by an unrecorded maker, The Metropolitan Museum of Art

Mask of a woman with an ornate curled bang and loop earrings

Unrecorded maker

98–117 CE · Plaster, paint

Cleared · Public Domain

live
The MetSimilar
Mask of a woman with radiating waves of hair by an unrecorded maker, The Metropolitan Museum of Art

Mask of a woman with radiating waves of hair

Unrecorded maker

225–250 CE · Plaster, paint, glass

Cleared · Public Domain

live
The MetSimilar
Bust of a Woman with an Elaborate Coiffure by Rosso Fiorentino, The Metropolitan Museum of Art

Bust of a Woman with an Elaborate Coiffure

Rosso Fiorentino (d. 1540)

1530–37 · Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash.

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua ‘ba figure

Asante-Akan artist

Late 19th–early 20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Woman in a harlequin costume holding a mask

Sergey Sudeykin (d. 1946)

first half 20th century · Brush and black ink, gouache, watercolor

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Asante-Akan artist

First half of 20th century · Wood, beads, fiber

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Fante-Akan artist

early–mid-20th century · Wood, glass beads, fiber

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Asante-Akan artist

early–mid-20th century · Wood, beads, fiber

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Asante-Akan artist

early–mid-20th century · Wood

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Akua 'ba figure

Asante-Akan artist

early–mid-20th century · Wood, beads, fiber

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.