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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    238 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    253 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 31 matching records exist across the two collections.

Results for "Me, My Wife & Daughter"12 records

Institutions answered newest-first by record, interleaved

Tomb Plaque of Blanche of France (1328–92), daughter of Charles IV of France and Jeanne d'Evreux by an unrecorded maker, The Metropolitan Museum of Art

Tomb Plaque of Blanche of France (1328–92), daughter of Charles IV of France and Jeanne d'Evreux

Unrecorded maker

after 1392 · Black marble with traces of paint and gilding

Cleared · Public Domain

live
The MetSimilar
Irises at Yatsuhashi (Eight Bridges) by Ogata Kōrin, The Metropolitan Museum of Art

Irises at Yatsuhashi (Eight Bridges)

Ogata Kōrin (d. 1716)

after 1709 · Pair of six-panel folding screens; ink and color on gold leaf on paper

Cleared · Public Domain

live
The MetSimilar
Me and My Wife and Daughter by Henry William Bunbury, The Metropolitan Museum of Art

Me and My Wife and Daughter

Henry William Bunbury (d. 1811)

1780–1800 · Etching, hand-colored

Cleared · Public Domain

live
The MetSimilar
Me, My Wife & Daughter by Thomas Rowlandson, The Metropolitan Museum of Art

Me, My Wife & Daughter

Thomas Rowlandson (d. 1827)

May 4, 1808 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A Seaman's Wife's Reckoning by Thomas Rowlandson, The Metropolitan Museum of Art

A Seaman's Wife's Reckoning

Thomas Rowlandson (d. 1827)

July 15, 1812 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
A Seaman's Wife's Reckoning by Thomas Rowlandson, The Metropolitan Museum of Art

A Seaman's Wife's Reckoning

Thomas Rowlandson (d. 1827)

July 15, 1812 · Hand-colored etching

Cleared · Public Domain

live
The MetSimilar
Summer Robe (Katabira) with Irises at Yatsuhashi by an unrecorded maker, The Metropolitan Museum of Art

Summer Robe (Katabira) with Irises at Yatsuhashi

Unrecorded maker

mid-19th century · Plain-weave ramie with paste-resist dyeing, stencil-dyed dots (suri-bitta), hand-painted details, silk embroidery, and couched gold thread

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Setting out for Margate

Thomas Rowlandson (d. 1827)

August 29, 1812 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Setting out for Margate

Thomas Rowlandson (d. 1827)

August 29, 1812 · Hand-colored etching

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Go Kill My Husband (The Unfaithful Wife)

Emile Bernard (d. 1941)

1892 · Hand-colored zincograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Go Kill My Husband (The Unfaithful Wife)

Emile Bernard (d. 1941)

1892 · Zincograph printed in sepia

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

I Live In My Own World, But It’s Ok, They Know Me Here

Sigmar Polke (d. 2010)

2002 · Mixed media on fabric

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.