
Tomb Plaque of Blanche of France (1328–92), daughter of Charles IV of France and Jeanne d'Evreux
Unrecorded maker
after 1392 · Black marble with traces of paint and gilding
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
238 ms. The Metropolitan Museum of Art, Collection API (Open Access)
253 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 31 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Tomb Plaque of Blanche of France (1328–92), daughter of Charles IV of France and Jeanne d'Evreux
Unrecorded maker
after 1392 · Black marble with traces of paint and gilding
Cleared · Public Domain
live
Irises at Yatsuhashi (Eight Bridges)
Ogata Kōrin (d. 1716)
after 1709 · Pair of six-panel folding screens; ink and color on gold leaf on paper
Cleared · Public Domain
live
Me and My Wife and Daughter
Henry William Bunbury (d. 1811)
1780–1800 · Etching, hand-colored
Cleared · Public Domain
live
Me, My Wife & Daughter
Thomas Rowlandson (d. 1827)
May 4, 1808 · Hand-colored etching
Cleared · Public Domain
live
A Seaman's Wife's Reckoning
Thomas Rowlandson (d. 1827)
July 15, 1812 · Hand-colored etching
Cleared · Public Domain
live
A Seaman's Wife's Reckoning
Thomas Rowlandson (d. 1827)
July 15, 1812 · Hand-colored etching
Cleared · Public Domain
live
Summer Robe (Katabira) with Irises at Yatsuhashi
Unrecorded maker
mid-19th century · Plain-weave ramie with paste-resist dyeing, stencil-dyed dots (suri-bitta), hand-painted details, silk embroidery, and couched gold thread
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Setting out for Margate
Thomas Rowlandson (d. 1827)
August 29, 1812 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Setting out for Margate
Thomas Rowlandson (d. 1827)
August 29, 1812 · Hand-colored etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Hand-colored zincograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Go Kill My Husband (The Unfaithful Wife)
Emile Bernard (d. 1941)
1892 · Zincograph printed in sepia
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
I Live In My Own World, But It’s Ok, They Know Me Here
Sigmar Polke (d. 2010)
2002 · Mixed media on fabric
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.