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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    187 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    301 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 669 matching records exist across the two collections.

Results for "Medallion of George III"12 records

Institutions answered newest-first by record, interleaved

Medallion of George Washington by an unrecorded maker, The Metropolitan Museum of Art

Medallion of George Washington

Unrecorded maker

1776–96 · Earthenware

Cleared · Public Domain

live
The MetSimilar
George III of England by an unrecorded maker, The Metropolitan Museum of Art

George III of England

Unrecorded maker

ca. 1810–20 · Onyx

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George III

William Pether (d. 1821)

1762 · Mezzotint; first state of two

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George III Crowned with Laurel by Apollo

Isaac Taylor I (d. 1807)

ca. 1769 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Medallion of George Washington

Unrecorded maker

1778–88 · Earthenware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George III

John Parsons (d. 1819)

1793 · Stipple engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Medallion of George III

Josiah Wedgwood and Sons (d. 9999)

ca. 1790 · Stoneware (jasperware)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George III

Josiah Wedgwood and Sons (d. 9999)

late 18th century · Jasper dip, dark blue on white blue

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George III

Josiah Wedgwood and Sons (d. 9999)

late 18th century · Jasperware

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George III and the Three Graces

James Gwim (d. 1769)

1760–1800 · Etching and engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Portrait of George III Crowned with Oak Leaves by a Roman Soldier

George III, King of Great Britain and Ireland (d. 1820)

1780–1800 · Etching and engraving; printed in purple-brown and black ink

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

George III

Samuel Freeman (d. 1857)

1817 (?) · Etching and engraving

In copyright

live
The MetSimilar

1. Pin the work

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.