Rights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
1326 ms. The Metropolitan Museum of Art, Collection API (Open Access)
297 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 13 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved
Design for the Decoration of a Palace Wall (Veronese Palazzo?)
Alessandro Vittoria (Alessandro Vittoria di Vigilio della Volpa) (d. 1608)
ca. 1550–70 · Pen and brown ink, brush and brown wash, over black chalk
Cleared · Public Domain
live
Atalanta and Meleager
Peter Paul Rubens (d. 1640)
ca. 1616 · Oil on wood
Cleared · Public Domain
live
Meleager
Antonio Gai (d. 1769)
1735 · Marble
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Atalanta and Meleager chasing the Calydonian Boars
Etienne Delaune (d. 1583)
1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Meleager offering the boar's head to Atalanta
Etienne Delaune (d. 1583)
1573 · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Atalanta and Meleager Killing the Wild Boar (Calidonius ab Atalanta aper primo vulneratus a Meleagro interimitur), plate 76 from "The Metamorphoses of Ovid" (Metamorphosean Sive Transformationum)
Antonio Tempesta (d. 1630)
Published after 1606 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Meleager and Atalanta infront of a fountain, from Vues de jardins avec grottes et fontaines, plate 1, bound in Oeuvres. Vol. II
Jean Le Pautre (d. 1682)
17th century · Etching; second state of three (Préaud)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mort de Melagre Basrelief antique. Les trois Parques qui mettent le Tison dans le feu, au quel etoit attaché la vie de Meleagre, from "Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore"
Jean Barbault (d. 1762)
1761 · Etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The marriage of Meleager and Atalanta; three decorated pedastals holding fires, a group of men and women surrounding them, after Polidoro da Caravaggio
Camillo Tinti (d. 1796)
1772 · Engraving and etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. VIII, page 144. 3.e vol.) depicting Meleager Standing over the Bull that he Killed after it had been Wounded by Atalanta, from Les Metamorphoses d'Ovide, Traduction nouvelle Avec le texte latin, suivie d'une analyse de l'explication des Fables, de notes géographiques, historiques, mythologiques et critiques, Par M.G.T. Villenave; ornée de gravures d'après les dessins de MM. LeBarbier, Monsiau et Moreau. A Paris, Chez les Éditeurs, F. Gay Libraire, rue de la Harpe, Bureau de la Bible; Ch. Guestard, Avocat, rue Saint Germain-l'Auxerrois. De l'Imprimerie de P. Didot l'aîné. MDCCCVI.
François Pigeot (d. 1840)
published 1806–22 · Etching and engraving; third state of five (Bocher)
In copyright
live1. Pin the work
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2. Read the arithmetic
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3. Seal and export
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