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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

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Where this page got its records

  • The Metlive

    679 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    296 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 118 matching records exist across the two collections.

Results for "Men Trussing an Ox"12 records

Institutions answered newest-first by record, interleaved

Plaque in the Form of a Slaughtered Ox by an unrecorded maker, The Metropolitan Museum of Art

Plaque in the Form of a Slaughtered Ox

Unrecorded maker

ca. 1166–1158 BCE · Faience

Cleared · Public Domain

live
The MetSimilar
Men Trussing an Ox by an unrecorded maker, The Cleveland Museum of Art

Men Trussing an Ox

Unrecorded maker

c. 667–647 BCE · Sculpture, limestone

Cleared · CC0

live
Cleveland Museum of ArtSimilar
Ten Verses on Oxherding by an unrecorded maker, The Metropolitan Museum of Art

Ten Verses on Oxherding

Unrecorded maker

1278 · Handscroll; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Zodiac Figure of an Ox by an unrecorded maker, The Metropolitan Museum of Art

Zodiac Figure of an Ox

Unrecorded maker

1368 · Glazed stoneware

Cleared · Public Domain

live
The MetSimilar
"Shaikh Mahneh and the Villager", Folio 49r from a Mantiq al-Tayr (Language of the Birds) by Farid al-Din `Attar, The Metropolitan Museum of Art

"Shaikh Mahneh and the Villager", Folio 49r from a Mantiq al-Tayr (Language of the Birds)

Farid al-Din `Attar (d. 1220)

1487 · Opaque watercolor, silver, and gold on paper

Cleared · Public Domain

live
The MetSimilar
Allegory of Triumph and Sacrifice by Andrea Briosco, called Riccio, The Metropolitan Museum of Art

Allegory of Triumph and Sacrifice

Andrea Briosco, called Riccio (d. 1532)

ca. 1520 · Copper alloy with reddish brown natural patina under a worn black lacquer or wax.

Cleared · Public Domain

live
The MetSimilar
Peasant Girl Riding an Ox with Companions by François Boucher, The Metropolitan Museum of Art

Peasant Girl Riding an Ox with Companions

François Boucher (d. 1770)

18th century · Black chalk

Cleared · Public Domain

live
The MetSimilar
The Actor Segawa Roko as the Woodseller Ohara Leading an Ox by Utagawa Toyokuni I, The Metropolitan Museum of Art

The Actor Segawa Roko as the Woodseller Ohara Leading an Ox

Utagawa Toyokuni I (d. 1825)

ca. 1810 · Woodblock print; ink and color on paper

Cleared · Public Domain

live
The MetSimilar
Comparative Anatomy by Thomas Rowlandson, The Metropolitan Museum of Art

Comparative Anatomy

Thomas Rowlandson (d. 1827)

1800–25 · Etching

Cleared · Public Domain

live
The MetSimilar
Buffalo and Herdsman by Kawanabe Kyōsai 河鍋暁斎, The Metropolitan Museum of Art

Buffalo and Herdsman

Kawanabe Kyōsai 河鍋暁斎 (d. 1889)

ca. 1887 · Album leaf; ink and color on silk

Cleared · Public Domain

live
The MetSimilar
Netsuke of Man Leading an Ox with Bundles of Wood on its Back by an unrecorded maker, The Metropolitan Museum of Art

Netsuke of Man Leading an Ox with Bundles of Wood on its Back

Unrecorded maker

19th century · Ivory

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Double-sided comb

Unrecorded maker

late 19th–early 20th century · Wood, bone, painted ox horn

In copyright

live
The MetSimilar

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