
Bound-hands hacha
Classic Veracruz artist(s)
600–900 CE · Stone
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
440 ms. The Metropolitan Museum of Art, Collection API (Open Access)
384 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 142 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Bound-hands hacha
Classic Veracruz artist(s)
600–900 CE · Stone
Cleared · Public Domain
live
Century Vase
Karl L. H. Müller (d. 1887)
1876 · Porcelain
Cleared · Public Domain
live
L-4 Archtop Guitar (serial no.
Gibson Mandolin-Guitar Manufacturing Co., Ltd. (d. 9999)
ca. 1918 · Spruce, maple, mahogany, ivoroid, mother-of-pearl, nickel silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Douzième Cahier du Recueil d'Ornemens (Two Friezes from San Lorenzo fuori La Mura in Rome)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Douzième Cahier du Recueil d'Ornemens: Chapiteau Jonique de la Vigne Farnèse à Rome vü de face (Frontal View of an Ionic Capital in the Farnese Vineyard in Rome)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Douzième Cahier du Recueil d'Ornemens: Profil du Chapiteau Jonique de la Vigne Farnèse à Rome (Profile View of an Ionic Capital in the Farnese Vineyard in Rome)
Louise Brinclaire (d. 1783)
ca. 1778–82 · Etching, soft-ground etching (crayon technique), printed in sanguine
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Men defecating back to back, bound in L'Oeuvre original de Vivant Denon. Collection de eaux-fortes, Volume 2
Baron Dominique Vivant Denon (d. 1825)
1873 · Lithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Frederick L. Hartsel from Sporting Life Cabinets (W600)
Sporting Life (d. 1924)
1908 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L. Waner from the Baseball Players photo series (W502)
Unrecorded maker
1928 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
L. Waner from the Baseball Players photo series (W502)
Unrecorded maker
1931 · Commercial photolithograph
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Archtop Guitar
John D'Angelico (d. 1964)
1932 · Spruce, maple, ebony, steel, celluloid, mother-of-pearl
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Self-portrait with son(?)
Alex Agbaglo Acolatse (d. 1975)
1975 · Gelatin silver print
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.