
Triton
Giambologna (d. 1608)
1590s · Bronze
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
249 ms. The Metropolitan Museum of Art, Collection API (Open Access)
309 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 10 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Triton
Giambologna (d. 1608)
1590s · Bronze
Cleared · Public Domain
live
Watch with scenes from the story of Rebekah at the well
Johannes van Ceulen (d. 1715)
ca. 1676–80 · Case: painted enamel on gold, and raised enamel on gold; Movement: gilded brass, partly blued steel, and silver
Cleared · Public Domain
live
Louis XV
Tournai
ca. 1756 · Soft-paste porcelain
Cleared · Public Domain
live
Coin cabinet
Charles Percier (d. 1838)
ca. 1809–19 · Mahogany (probably Swietenia mahagoni), applied and inlaid silver
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mercure de France, February 1730 issue, with a Project for the Fireworks Display presented by the Spanish Ambassador on the Occasion of the Birth of the Dauphin
Jacques Dumont, called le Romain (d. 1781)
1730 · Illustrations: etching
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Dancer at a Café Concert
Théophile-Alexandre Steinlen (d. 1923)
1892–93 · Black ink over blue and black crayon with white lead used for correction and blue crayon and black ink border on off-white wove paper, darkened, mounted on board, and affixed to heavy board
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Costumes Parisiens 137: Robe de petite fille en crêpe de chine bleu fleuri
Marie-Madelaine Franc-Nohain (d. 1942)
1914 · plates: hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Journal des Dames et des Modes, No. 61 (1 February 1914)
Vaugirard
1914 · plates: hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Journal des Dames et des Modes, No. 62 (10 February 1914)
Vaugirard
1914 · plates: hand colored engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Journal des Dames et des Modes, No. 63 (20 February 1914)
Vaugirard
1914 · plates: hand colored engraving
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.