
Cupid Presenting Psyche to the Gods
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540–45 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on brown-washed paper
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
285 ms. The Metropolitan Museum of Art, Collection API (Open Access)
289 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 65 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Cupid Presenting Psyche to the Gods
Andrea Schiavone (Andrea Meldola) (d. 1563)
ca. 1540–45 · Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, on brown-washed paper
Cleared · Public Domain
live
Jupiter tumbling from a horse-drawn carriage at right, Ganymede riding Jupiter's eagle upper center, below Venus and to her right, the three Graces
Master of the Die (d. 1560)
1530–60 · Engraving
Cleared · Public Domain
live
Minerva and Mercury Arming Perseus
Jan Muller (d. 1628)
1604 · Engraving; New Holl.'s third state of three
Cleared · Public Domain
live
Minerva and Mercury Arming Perseus
Jan Muller (d. 1628)
1604 · Engraving; New Holl.'s third state of three
Cleared · Public Domain
live
Venus and Mercury
Jan Muller (d. 1628)
ca. 1600 · Engraving
Cleared · Public Domain
live
Venus and Mercury
Jan Muller (d. 1628)
ca. 1600 · Engraving; New Holl.'s second state of four
Cleared · Public Domain
live
Mercury and Cupid
Francesco Fanelli (d. 1665)
late 1630s · Bronze
Cleared · Public Domain
live
Design for a Frontispiece: Mercury and Fame
Francisco Rizi (d. 1685)
1650 · Pen and brown ink with pen and black ink and brush and gray wash. Composition outlined in pen and brown ink. Contours incised and verso blackened with carbon dust for transfer
Cleared · Public Domain
live
Mercury and Battus
Francisque Millet (d. 1679)
1679 · Oil on canvas
Cleared · Public Domain
live
The Apotheosis of the Spanish Monarchy
Giovanni Battista Tiepolo (d. 1770)
1760s · Oil on canvas
Cleared · Public Domain
live
Mercury
Giambologna (d. 1608)
17th–18th century? · Bronze
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Iris, Messenger of the Gods
Auguste Rodin (d. 1917)
modeled ca. 1890, cast 1965 · Bronze, black marble base
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.