
Fragment from a door
Unrecorded maker
ca. 2150–1981 B.C. · Wood, paint
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
584 ms. The Metropolitan Museum of Art, Collection API (Open Access)
295 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 484 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Fragment from a door
Unrecorded maker
ca. 2150–1981 B.C. · Wood, paint
Cleared · Public Domain
live
Fragment from a tomb door
Unrecorded maker
ca. 2150–1981 B.C. · Wood, paint
Cleared · Public Domain
live
Fragment from a tomb door
Unrecorded maker
ca. 2150–1981 B.C. · Wood, paint
Cleared · Public Domain
live
Fragment from a tomb door
Unrecorded maker
ca. 2150–1981 B.C. · Wood, paint
Cleared · Public Domain
live
Door
Unrecorded maker
13th century · Wood, paint, and wrought iron
Cleared · Public Domain
live
Beggars Receiving Alms at the Door of a House
Rembrandt (Rembrandt van Rijn) (d. 1669)
1648 · Etching, burin, drypoint; third of five states
Cleared · Public Domain
live
The Dispatch of the Messenger
François Boucher (d. 1770)
1765 · Oil on canvas
Cleared · Public Domain
live
Messenger at the Door of a Guardhouse
Philippe Louis Parizeau (d. 1801)
1786 · Pen and brown ink, brown wash, over a red chalk counterproof, and traces of graphite
Cleared · Public Domain
live
Wooded Scene With Figures at the Door of a Cottage
Thomas Rowlandson (d. 1827)
1783–88 · Soft-ground etching and aquatint
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Horses at a Cottage Door
Johann Konrad Gessner (d. 1825)
1804–6 · Crayon lithograph on yellow-ocher aquatint mount
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Door
H. Van Buren Magonigle (d. 1935)
1915 · Iron, marble
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Anuan (door)
Baule artist
19th–mid-20th century · Wood, pigment
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.