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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    797 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    654 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 18,783 matching records exist across the two collections.

Results for "Metropolitan Museum of Art Centennial Ba"10 records

Institutions answered newest-first by record, interleaved

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Metropolitan Museum of Art]

Unknown

ca. 1890 · Albumen silver print from glass negative

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Grandguard (Reinforcing Shoulder Defense)

The Metropolitan Museum of Art, Armor Workshop

1925 · Steel

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Metropolitan Museum of Art

George Austin Hay

1947, printed 1960s · Chromogenic print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Egyptian Galleries, Metropolitan Museum of Art]

Bruce Davidson (d. 9999)

1968 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Gallery Talk, Metropolitan Museum of Art]

Bruce Davidson (d. 9999)

1969 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Gallery Talk, Metropolitan Museum of Art]

Bruce Davidson (d. 9999)

1969 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Gallery Talk, Metropolitan Museum of Art]

Bruce Davidson (d. 9999)

1969 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

[Gallery Talk, Metropolitan Museum of Art]

Bruce Davidson (d. 9999)

1969 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Metropolitan Museum of Art Centennial Ball, New York City, New York

Garry Winogrand (d. 1984)

1970, printed 1974 · Gelatin silver print

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Met 150

The Metropolitan Museum of Art

2021 · Portfolio with a variety of print techniques, including screenprint, lithography, etching, drypoint, linocut, woodcut, and wood engraving. Portfolio consists of 12 prints (Siah Armajani (House Above Bridge), Vija Celmins (Fragment), Jasper Johns (Artists at Work), Kerry James Marshall (Untitled (Exquisite Corpse), Julie Mehretu (Arms), Wangechi Mutu (girl), Gabriel Orozco (Simón’s Lines), Edward Ruscha (Boom Town), Richard Serra (Composite for The Met), Ranjani Shettar (Alae alae), Sarah Sze (Papillon), and Xu Bing (Art for the People for The Met), a colophon, three essays, and a red linen clamshell box.

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.