Library of the Metropolitan Museum of Art bookplate
Edwin Davis French (d. 1906)
1895
Cleared · Public Domain
liveThe MetSimilar
Rights clearance desk for images
A painting can be out of copyright and thephotograph of it can still be protected.
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
- The Metlive
352 ms. The Metropolitan Museum of Art, Collection API (Open Access)
- Clevelandlive
283 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 18,948 matching records exist across the two collections.
Results for "Metropolitan Museum of Art Library acces"12 records
Institutions answered newest-first by record, interleaved
Library of the Metropolitan Museum of Art bookplate
Edwin Davis French (d. 1906)
1895
Cleared · Public Domain
liveThe MetSimilar
Library of the Metropolitan Museum of Art bookplate
Edwin Davis French (d. 1906)
1895
Cleared · Public Domain
liveThe MetSimilar
Metropolitan Museum of Art Library accession books, 1881-1969
Unrecorded maker
1881–1969
Cleared · Public Domain
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
[Metropolitan Museum of Art]
Unknown
ca. 1890 · Albumen silver print from glass negative
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Library of the Metropolitan Museum of Art bookplate
Edwin Davis French (d. 1906)
1895
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Library of the Metropolitan Museum of Art bookplate (proof)
Edwin Davis French (d. 1906)
1895 · Engraving; proof
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Library of the Metropolitan Museum of Art bookplate (proof)
Edwin Davis French (d. 1906)
1895 · Engraving; proof
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Library of the Metropolitan Museum of Art bookplate (proof)
Edwin Davis French (d. 1906)
1895 · Engraving; proof
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Grandguard (Reinforcing Shoulder Defense)
The Metropolitan Museum of Art, Armor Workshop
1925 · Steel
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Metropolitan Museum of Art
George Austin Hay
1947, printed 1960s · Chromogenic print
In copyright
liveThe MetSimilar
No open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Met 150
The Metropolitan Museum of Art
2021 · Portfolio with a variety of print techniques, including screenprint, lithography, etching, drypoint, linocut, woodcut, and wood engraving. Portfolio consists of 12 prints (Siah Armajani (House Above Bridge), Vija Celmins (Fragment), Jasper Johns (Artists at Work), Kerry James Marshall (Untitled (Exquisite Corpse), Julie Mehretu (Arms), Wangechi Mutu (girl), Gabriel Orozco (Simón’s Lines), Edward Ruscha (Boom Town), Richard Serra (Composite for The Met), Ranjani Shettar (Alae alae), Sarah Sze (Papillon), and Xu Bing (Art for the People for The Met), a colophon, three essays, and a red linen clamshell box.
In copyright
liveThe MetSimilar
1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.