
Le Midi (Midday)
Nicolas de Larmessin III (d. 1755)
1741 · Engraving and etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
249 ms. The Metropolitan Museum of Art, Collection API (Open Access)
323 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 5,696 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Le Midi (Midday)
Nicolas de Larmessin III (d. 1755)
1741 · Engraving and etching
Cleared · Public Domain
live
The Pyrenees, the Peak of the Midi de Bigorre
Narcisse Diaz de la Peña (d. 1876)
1871–1872 · Painting, oil on wood panel
Cleared · CC0
live
Contes et nouvelles en vers par Jean de la Fontaine
Jean de La Fontaine (d. 1695)
1795
Cleared · Public Domain
live
Châteauvieux-sur-Suran
Antoine-Claude Ponthus-Cinier (d. 1885)
1848 · Painting, oil on paper mounted on fabric
Cleared · CC0
live
Midi de la France
Louis Hippolyte Lebas (d. 1867)
ca. 1818 · Cotton
Cleared · Public Domain
live
Fontainebleau Forest: Noon under the Trees (La Forêt de Fontainebleau: Midi sous bois)
Auguste Louis Lepère (d. 1918)
1890 · Bound Volume, wood engraving from bound volume of 34
Cleared · CC0
live
Spartan Soldier
Charles Nègre (d. 1880)
1859 · Albumen silver print from glass negative
Cleared · Public Domain
live
Le Midi de la France
Charles Nègre (d. 1880)
1850s–60s · Albumen silver prints
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Le Mariage de la Vierge
Simon de la Vallée (d. 1700)
early 18th century · Engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Alliance de l'Autriche et de la France (Alliance of Austria and France), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
1756 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Génie de la France (Genius of France), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour (d. 1764)
1758 · Etching and engraving
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Mes Passe-Temps: Chansons suivies de l'Art de la Danse, Poeme en Quatre Chants, Calqué sur l'Art Poétique de Boileau Despréaux. Ornés de Gravures d'après les Dessins de Moreau le jeune
de la Cour (d. 1860)
published in 1806 · Engraving and woodcut
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.