Skip to content
OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    731 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    258 ms. The Cleveland Museum of Art, Open Access API

Your defaults

United States, editorial use, 10,000 reach.

Change on the terms page

2 of 2 providers answered live. 256 matching records exist across the two collections.

Results for "Milo of Crotona"10 records

Institutions answered newest-first by record, interleaved

Milo of Crotona by Salvator Rosa, The Metropolitan Museum of Art

Milo of Crotona

Salvator Rosa (d. 1673)

1615–73 · Pen and brown ink

Cleared · Public Domain

live
The MetSimilar
Milo of Croton by Philippe Auguste Hennequin, The Metropolitan Museum of Art

Milo of Croton

Philippe Auguste Hennequin (d. 1762)

n.d. · Etching

Cleared · Public Domain

live
The MetSimilar
Milo of Crotona by Antoine-Louis Barye, The Metropolitan Museum of Art

Milo of Crotona

Antoine-Louis Barye (d. 1875)

modeled in 1819, possibly cast between 1819 and 1875 · Bronze (sand cast)

Cleared · Public Domain

live
The MetSimilar
Venus de Milo by an unrecorded maker, The Metropolitan Museum of Art

Venus de Milo

Unrecorded maker

1897 · Jadeite, lavender with some whitish spots

Cleared · Public Domain

live
The MetSimilar
Milo of Crotona and the Lion by Etienne-Maurice Falconet, The Metropolitan Museum of Art

Milo of Crotona and the Lion

Etienne-Maurice Falconet (d. 1791)

modeled 18th century, cast 20th century · Bronze

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Milo of Croton

Nicolò Boldrini (d. 1566)

1530–70 · Woodcut (made up in parts)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

View on the Hudson, and the Palisades, New York (New York Mirror)

Milo Osborne (d. 1880)

1838 · Steel engraving

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Skaters Crotona Park

Saul Kovner (d. 1981)

1935–43 · Lithograph

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Furniture Forum; contemporary design source reference volume 14 annual

Milo Ray Baughman Jr. (d. 2003)

1963 (?)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Untitled (Crotona Park from Thomas Ellis Photograph)

Darrel Ellis (d. 1992)

ca. 1990 · Gelatin silver print

In copyright

live
The MetSimilar

1. Pin the work

Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.

2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.