
Apollo and the Muses
Maarten van Heemskerck (d. 1574)
1549 · Etching
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
916 ms. The Metropolitan Museum of Art, Collection API (Open Access)
260 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 369 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Apollo and the Muses
Maarten van Heemskerck (d. 1574)
1549 · Etching
Cleared · Public Domain
live
Apollo and the Muses
Giorgio Ghisi (d. 1582)
ca. 1557 · Engraving; first state of three
Cleared · Public Domain
live
Inkstand with Apollo and the Muses
Patanazzi family (d. 1625)
1584 · Maiolica (tin-glazed earthenware)
Cleared · Public Domain
live
Minerva
Benvenuto Cellini (d. 1571)
second half 16th century · Bronze
Cleared · Public Domain
live
Minerva and the Muses
Andrea Schiavone (Andrea Meldola) (d. 1563)
n.d. · Etching and drypoint
Cleared · Public Domain
live
Mirror; Minerva Visits the Muses on Mount Helicon
Suzanne de Court (d. 1625)
early 17th century · Painted enamel, partly gilt and partly silvered; on copper; silver; mirror glass.
Cleared · Public Domain
live
Landscape with Apollo and the Muses
Claude Lorrain (Claude Gellée) (d. 1682)
1674 · Pen and brown ink, brush and brown and gray wash and white gouache, over traces of graphite, on blue-green paper
Cleared · Public Domain
live
Tea tray (Plateau)
The Muses Master (d. 1800)
ca. 1750–60 · Faience (tin-glazed earthenware)
Cleared · Public Domain
live
The Muses Thalia and Erato
Andrea Appiani (d. 1817)
1754–1817 · Black chalk; squared in black chalk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. V, page 256. 2.e vol.) depicting Minerva and the Muses at Helicon, from "Les Metamorphoses d'Ovide..."
N. Thomas (d. 1812)
1805 · Etching and engraving; second state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Vignette (Liv. V, page 256. 2.e vol.) depicting Minerva and the Muses at Helicon, from "Les Metamorphoses d'Ovide..."
N. Thomas (d. 1812)
1805 · Etching and engraving; fourth state of five (Bocher)
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
The Muses
Byron Browne (d. 1961)
1953 · Brush and black ink and wash with scrathing on paper
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.