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OpenPlate

Rights clearance desk for images

A painting can be out of copyright and thephotograph of it can still be protected.

Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.

Where this page got its records

  • The Metlive

    916 ms. The Metropolitan Museum of Art, Collection API (Open Access)

  • Clevelandlive

    260 ms. The Cleveland Museum of Art, Open Access API

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2 of 2 providers answered live. 369 matching records exist across the two collections.

Results for "Minerva and the Muses"12 records

Institutions answered newest-first by record, interleaved

Apollo and the Muses by Maarten van Heemskerck, The Metropolitan Museum of Art

Apollo and the Muses

Maarten van Heemskerck (d. 1574)

1549 · Etching

Cleared · Public Domain

live
The MetSimilar
Apollo and the Muses by Giorgio Ghisi, The Metropolitan Museum of Art

Apollo and the Muses

Giorgio Ghisi (d. 1582)

ca. 1557 · Engraving; first state of three

Cleared · Public Domain

live
The MetSimilar
Inkstand with Apollo and the Muses by Patanazzi family, The Metropolitan Museum of Art

Inkstand with Apollo and the Muses

Patanazzi family (d. 1625)

1584 · Maiolica (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
Minerva by Benvenuto Cellini, The Metropolitan Museum of Art

Minerva

Benvenuto Cellini (d. 1571)

second half 16th century · Bronze

Cleared · Public Domain

live
The MetSimilar
Minerva and the Muses by Andrea Schiavone (Andrea Meldola), The Metropolitan Museum of Art

Minerva and the Muses

Andrea Schiavone (Andrea Meldola) (d. 1563)

n.d. · Etching and drypoint

Cleared · Public Domain

live
The MetSimilar
Mirror; Minerva Visits the Muses on Mount Helicon by Suzanne de Court, The Metropolitan Museum of Art

Mirror; Minerva Visits the Muses on Mount Helicon

Suzanne de Court (d. 1625)

early 17th century · Painted enamel, partly gilt and partly silvered; on copper; silver; mirror glass.

Cleared · Public Domain

live
The MetSimilar
Landscape with Apollo and the Muses by Claude Lorrain (Claude Gellée), The Metropolitan Museum of Art

Landscape with Apollo and the Muses

Claude Lorrain (Claude Gellée) (d. 1682)

1674 · Pen and brown ink, brush and brown and gray wash and white gouache, over traces of graphite, on blue-green paper

Cleared · Public Domain

live
The MetSimilar
Tea tray (Plateau) by The Muses Master, The Metropolitan Museum of Art

Tea tray (Plateau)

The Muses Master (d. 1800)

ca. 1750–60 · Faience (tin-glazed earthenware)

Cleared · Public Domain

live
The MetSimilar
The Muses Thalia and Erato by Andrea Appiani, The Metropolitan Museum of Art

The Muses Thalia and Erato

Andrea Appiani (d. 1817)

1754–1817 · Black chalk; squared in black chalk

Cleared · Public Domain

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette (Liv. V, page 256. 2.e vol.) depicting Minerva and the Muses at Helicon, from "Les Metamorphoses d'Ovide..."

N. Thomas (d. 1812)

1805 · Etching and engraving; second state of five (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

Vignette (Liv. V, page 256. 2.e vol.) depicting Minerva and the Muses at Helicon, from "Les Metamorphoses d'Ovide..."

N. Thomas (d. 1812)

1805 · Etching and engraving; fourth state of five (Bocher)

In copyright

live
The MetSimilar

No open reproduction

The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.

The Muses

Byron Browne (d. 1961)

1953 · Brush and black ink and wash with scrathing on paper

In copyright

live
The MetSimilar

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2. Read the arithmetic

Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.

3. Seal and export

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