
Koto (箏)
Metalwork by Goto Teijo, 9th generation Goto master, Japan (d. 1673)
early 17th century · Various woods, ivory and tortoiseshell inlays, gold and silver inlays, metalwork, cloth, laquer, paper,
Cleared · Public Domain
liveRights clearance desk for images
Museums publish two different things about the same artwork: whether the work is in copyright, and whether their picture of it is. OpenPlate reads both, does the arithmetic on the published term, and shows you the sentence behind every point of the score.
Where this page got its records
191 ms. The Metropolitan Museum of Art, Collection API (Open Access)
271 ms. The Cleveland Museum of Art, Open Access API
2 of 2 providers answered live. 9 matching records exist across the two collections.
Institutions answered newest-first by record, interleaved

Koto (箏)
Metalwork by Goto Teijo, 9th generation Goto master, Japan (d. 1673)
early 17th century · Various woods, ivory and tortoiseshell inlays, gold and silver inlays, metalwork, cloth, laquer, paper,
Cleared · Public Domain
live
Wintry Landscape with Trees
Urakami Shunkin (ASA) (d. 1846)
1833 · Hanging scroll; ink and color on silk
Cleared · Public Domain
live
Mibu no Tadamine (no. 37), from the series A Pictorial Commentary on One Hundred Poems by One Hundred Poets (Hyakunin isshu eshō: Mibu no Tadamine)
Utagawa Kunisada (d. 1864)
ca. 1844 · Woodblock print (nishiki-e); vertical oban; ink and color on paper
Cleared · Public Domain
live
Miniature Koto (箏)
Unrecorded maker
mid 19th–late 19th century · wood, lacquer, metal, silk, ivory?
Cleared · Public Domain
live
Potted Pine Tree and Koto (Japanese Harp)
Keisai Eisen (d. 1848)
19th century · Part of an album of woodblock prints (surimono); ink and color on paper
Cleared · Public Domain
live
Koto (箏)
Unrecorded maker
19th century · Wood, ivory, metal, silk
Cleared · Public Domain
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Koto (箏)
Unrecorded maker
19th century · Woods, ivory, silk, metal, lacquer, bone
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Koto (箏)
Unrecorded maker
19th century · Wood, mother of pearl, metal, ivory, lacquer
In copyright
liveNo open reproduction
The institution withholds the image for this record, which is itself the answer: the picture on their page is not theirs to give away.
Koto (箏)
Unrecorded maker
20th century · Various woods, ivory, metal, nylon, tortoiseshell, abalone, lacquerwork
In copyright
live1. Pin the work
Choose the record and say what you are actually going to do with it. The product re-reads the work live and stores a snapshot, so your docket records what the institution said today.
2. Read the arithmetic
Six weighted factors: the institution's own claim, the creator's term, the publication-age rule, the restrictions in their statement, your use, and whether a credit line is even possible.
3. Seal and export
Record the decision into a SHA-384 chain, then export a dated docket as JSON, CSV or Markdown with the credit line and the seal a colleague can re-verify.